In the eleventh year of the reign
of Aurungzebe, Abdalla, King of the Lesser Bucharia,
a lineal descendant from the Great Zingis, having abdicated the throne
in favor of his son, set out on a pilgrimage to the Shrine of the Prophet;
and, passing into India through the delightful valley of Cashmere, rested
for a short time at Delhi on his way. He was entertained by Aurungzebe
in a style of magnificent hospitality, worthy alike of the visitor and
the host, and was afterwards escorted with the same splendor to Surat,
where he embarked for Arabia.[1] During the stay of the
Royal Pilgrim at Delhi, a marriage was agreed upon between the Prince,
his son, and the youngest daughter of the Emperor, LALLA ROOKH; [2]-
-a Princess described by the poets of her time as more beautiful than Leila,[3]
Shirine,[4] Dewildé,[5] or any
of those heroines whose names and loves embellish the songs of Persia and
Hindostan. It was intended that the nuptials should be celebrated at Cashmere;
where the young King, as soon as the cares of the empire would permit,
was to meet, for the first time, his lovely bride, and, after a few months'
repose in that enchanting valley, conduct her over the snowy hills into
Bucharia.
The day of LALLA ROOKH'S departure
from Delhi was as splendid as sunshine and pageantry could make it. The
bazaars and baths were all covered with the richest tapestry; hundreds
of gilded barges upon the Jumna floated with their banners shining in the
water; while through the streets groups of beautiful children went strewing
the most delicious flowers around, as in that Persian festival called the
Scattering of the Roses;[6] till every part of the city
was as fragrant as if a caravan of musk from Khoten had passed through
it. The Princess, having taken leave of her kind father, who at parting
hung a cornelian of Yemen round her neck, on which was inscribed a verse
from the Koran, and having sent a considerable present to the Fakirs, who
kept up the Perpetual Lamp in her sister's tomb, meekly ascended the palankeen
prepared for her; and while Aurungzebe stood to take a last look from his
balcony, the procession moved slowly on the road to Lahore.
Seldom had the Eastern world seen
a cavalcade so superb. From the gardens in the suburbs to the Imperial
palace, it was one unbroken line of splendor. The gallant appearance of
the Rajahs and Mogul lords, distinguished by those insignia of the Emperor's
favor,[7] the feathers of the egret of Cashmere in their
turbans, and the small silver-rimm'd kettle-drums at the bows of their
saddles; --the costly armor of their cavaliers, who vied, on this occasion,
with the guards of the great Keder Khan,[8] in the brightness
of their silver battle-axes and the massiness of their maces of gold; --the
glittering of the gilt pine-apple[9] on the tops of the
palankeens; --the embroidered trappings of the elephants, bearing on their
backs small turrets, in the shape of little antique temples, within which
the Ladies of LALLA ROOKH lay as it were enshrined; --the rose-colored
veils of the Princess's own sumptuous litter,[10] at
the front of which a fair young female slave sat fanning her through the
curtains, with feathers of the Argus pheasant's wing;[11]
--and the lovely troop of Tartarian and Cashmerian maids of honor, whom
the young King had sent to accompany his bride, and who rode on each side
of the litter, upon small Arabian horses; --all was brilliant, tasteful,
and magnificent, and pleased even the critical and fastidious FADLADEEN,
Great Nazir or Chamberlain of the Haram, who was borne in his palankeen
immediately after the Princess, and considered himself not the least important
personage of the pageant.
FADLADEEN was a judge of everything,
--from the pencilling of a Circassian's eyelids to the deepest questions
of science and literature; from the mixture of a conserve of rose-leaves
to the composition of an epic poem: and such influence had his opinion
upon the various tastes of the day, that all the cooks and poets of Delhi
stood in awe of him. His political conduct and opinions were founded upon
that line of Sadi, --"Should the Prince at noon-day say, It is night, declare
that you behold the moon and stars." --And his zeal for religion, of which
Aurungzebe was a munificent protector,[12] was about
as disinterested as that of the goldsmith who fell in love with the diamond
eyes of the idol of Jaghernaut.[13]
During the first days of their journey,
LALLA ROOKH, who had passed all her life within the shadow of the Royal
Gardens of Delhi,[14] found enough in the beauty of the
scenery through which they passed to interest her mind, and delight her
imagination; and when at evening or in the heat of the day they turned
off from the high road to those retired and romantic places which had been
selected for her encampments,--sometimes, on the banks of a small rivulet,
as clear as the waters of the Lake of Pearl;[15] sometimes
under the sacred shade of a Banyan tree, from which the view opened upon
a glade covered with antelopes; and often in those hidden, embowered spots,
described by one from the Isles of the West,[16] as "places
of melancholy, delight, and safety, where all the company around was wild
peacocks and turtle-doves;" --she felt a charm in these scenes, so lovely
and so new to her, which, for a time, made her indifferent to every other
amusement. But LALLA ROOKH was young, and the young love variety; nor could
the conversation of her Ladies and the Great Chamberlain FADLADEEN (the
only persons, of course, admitted to her pavilion) sufficiently enliven
those many vacant hours, which were devoted neither to the pillow nor the
palankeen. There was a little Persian slave who sung sweetly to the Vina,
and who, now and then, lulled the Princess to sleep with the ancient ditties
of her country, about the loves of Wamak and Ezra,[17]
the fair-haired Zal and his mistress Rodahver,[18] not
forgetting the combat of Rustam with the terrible White Demon.[19]
At other times she was amused by those graceful dancing-girls of Delhi,
who had been permitted by the Bramins of the Great Pagoda to attend her,
much to the horror of the good Mussulman FADLADEEN, who could see nothing
graceful or agreeable in idolaters, and to whom the very tinkling of their
golden anklets[20] was an abomination.
But these and many other diversions
were repeated till they lost all their charm, and the nights and noon-days
were beginning to move heavily, when at length it was recollected that
among the attendants sent by the bridegroom, was a young poet of Cashmere,
much celebrated throughout the Valley for his manner of reciting the Stories
of the East, on whom his Royal Master had conferred the privilege of being
admitted to the pavilion of the Princess, that he might help to beguile
the tediousness of the journey by some of his most agreeable recitals.
At the mention of a poet, FADLADEEN elevated his critical eyebrows and,
having refreshed his faculties with a dose of that delicious opium which
is distilled from the black poppy of the Thebais, gave orders for the minstrel
to be forthwith introduced into the Presence.
The Princess, who had once in her
life seen a poet from behind the screens of gauze in her father's hall,
and had conceived from that specimen no very favorable ideas of the Caste,
expected but little in this new exhibition to interest her; --she felt
inclined, however, to alter her opinion on the very first appearance of
FERAMORZ. He was a youth about LALLA ROOKH'S own age, and graceful as that
idol of women, Crishna,[21] --such as he appears to their
young imaginations, heroic, beautiful, breathing music from his very eyes,
and exalting the religion of his worshippers into love. His dress was simple,
yet not without some marks of costliness; and the Ladies of the Princess
were not long in discovering that the cloth which encircled his high Tartarian
cap, was of the most delicate kind that the shawl-goats of Tibet supply.[22]
Here and there, too, over his vest, which was confined by a flowered girdle
of Kashan, hung strings of fine pearl, disposed with an air of studied
negligence;--nor did the exquisite embroidery of his sandals escape the
observation of these fair critics; who, however they might give way to
FADLADEEN upon the unimportant topics of religion and government, had the
spirit of martyrs in everything relating to such momentous matters as jewels
and embroidery.
For the purpose of relieving the
pauses of recitation by music, the young Cashmerian held in his hand a
kitar; --such as, in old times, the Arab maids of the West used to listen
to by moonlight in the gardens of the Alhambra-- and, having premised,
with much humility, that the story he was about to relate was founded on
the adventures of that Veiled Prophet of Khorassan,[23]
who, in the year of the Hegira 163, created such alarm throughout the Eastern
Empire, made an obeisance to the Princess, and thus began:--
THE VEILED PROPHET OF KHORASSAN.[24]
In that delightful Province of the
Sun,
The first of Persian lands he shines
upon.
Where all the loveliest children
of his beam,
Flowerets and fruits, blush over
every stream,[25]
And, fairest of all streams, the
MURGA roves
Among MEROU'S[26]
bright palaces and groves;--
There on that throne, to which the
blind belief
Of millions raised him, sat the
Prophet-Chief,
The Great MOKANNA. O'er his features
hung
The Veil, the Silver Veil, which
he had flung
In mercy there, to hide from mortal
sight
His dazzling brow, till man could
bear its light.
For, far less luminous, his votaries
said,
Were even the gleams, miraculously
shed
O'er MOUSSA'S[27]
cheek, when down the Mount he trod
All glowing from the presence of
his God!
On either side, with ready hearts
and hands,
His chosen guard of bold Believers
stands;
Young fire-eyed disputants, who
deem their swords,
On points of faith, more eloquent
than words;
And such their zeal, there's not
a youth with brand
Uplifted there, but at the Chief's
command,
Would make his own devoted heart
its sheath,
And bless the lips that doomed so
dear a death!
In hatred to the Caliph's hue of
night,[28]
Their vesture, helms and all, is
snowy white;
Their weapons various-- some equipt
for speed,
With javelins of the light Kathaian
reed;[29]
Or bows of buffalo horn and shining
quivers
Filled with the stems[30]
that bloom on IRAN'S rivers;[31]
While some, for war's more terrible
attacks,
Wield the huge mace and ponderous
battle-axe;
And as they wave aloft in morning's
beam
The milk-white plumage of their
helms, they seem
Like a chenar-tree grove[32]
when winter throws
O'er all its tufted heads his feathery
snows.
Between the porphyry pillars that
uphold
The rich moresque-work of the roof
of gold,
Aloft the Haram's curtained galleries
rise,
Where thro' the silken net-work,
glancing eyes,
From time to time, like sudden gleams
that glow
Thro' autumn clouds, shine o'er
the pomp below.--
What impious tongue, ye blushing
saints, would dare
To hint that aught but Heaven hath
placed you there?
Or that the loves of this light
world could bind,
In their gross chain, your Prophet's
soaring mind?
No-- wrongful thought!-- commissioned
from above
To people Eden's bowers with shapes
of love,
(Creatures so bright, that the same
lips and eyes
They wear on earth will serve in
Paradise,)
There to recline among Heaven's
native maids,
And crown the Elect with bliss that
never fades--
Well hath the Prophet-Chief his
bidding done;
And every beauteous race beneath
the sun,
From those who kneel at BRAHMA'S
burning founts,[33]
To the fresh nymphs bounding o'er
YEMEN'S mounts;
From PERSIA'S eyes of full and fawnlike
ray,
To the small, half-shut glances
of KATHAY;[34]
And GEORGIA'S bloom, and AZAB'S
darker smiles,
And the gold ringlets of the Western
Isles;
All, all are there; --each Land
its flower hath given,
To form that fair young Nursery
for Heaven!
But why this pageant now? this armed
array?
What triumph crowds the rich Divan
to-day
With turbaned heads of every hue
and race,
Bowing before that veiled and awful
face,
Like tulip-beds,[35]
of different shape and dyes,
Bending beneath the invisible West-wind's
sighs!
What new-made mystery now for Faith
to sign
And blood to seal, as genuine and
divine,
What dazzling mimicry of God's own
power
Hath the bold Prophet planned to
grace this hour?
Not such the pageant now, tho' not
less proud;
Yon warrior youth advancing from
the crowd
With silver bow, with belt of broidered
crape
And fur-bound bonnet of Bucharian
shape.[36]
So fiercely beautiful in form and
eye,
Like war's wild planet in a summer
sky;
That youth to-day, --a proselyte,
worth hordes
Of cooler spirits and less practised
swords,--
Is come to join, all bravery and
belief,
The creed and standard of the heaven-sent
Chief.
Tho' few his years, the West already
knows
Young AZIM'S fame; --beyond the
Olympian snows
Ere manhood darkened o'er his downy
cheek,
O'erwhelmed in fight and captive
to the Greek,[37]
He lingered there, till peace dissolved
his chains;--
Oh! who could even in bondage tread
the plains
Of glorious GREECE nor feel his
spirit rise
Kindling within him? who with heart
and eyes
Could walk where Liberty had been
nor see
The shining foot-prints of her Deity,
Nor feel those god-like breathings
in the air
Which mutely told her spirit had
been there?
Not he, that youthful warrior, --no,
too well
For his soul's quiet worked the
awakening spell;
And now, returning to his own dear
land,
Full of those dreams of good that,
vainly grand,
Haunt the young heart, --proud views
of human-kind,
Of men to Gods exalted and refined,--
False views like that horizon's
fair deceit
Where earth and heaven but seem,
alas, to meet!--
Soon as he heard an Arm Divine was
raised
To right the nations, and beheld,
emblazed
On the white flag MOKANNA'S host
unfurled,
Those words of sunshine, "Freedom
to the World,"
At once his faith, his sword, his
soul obeyed
The inspiring summons; every chosen
blade
That fought beneath that banner's
sacred text
Seemed doubly edged for this world
and the next;
And ne'er did Faith with her smooth
bandage bind
Eyes more devoutly willing to be
blind,
In virtue's cause; --never was soul
inspired
With livelier trust in what it most
desired,
Than his, the enthusiast there,
who kneeling, pale
With pious awe before that Silver
Veil,
Believes the form to which he bends
his knee
Some pure, redeeming angel sent
to free
This fettered world from every bond
and stain,
And bring its primal glories back
again!
Low as young AZIM knelt, that motley
crowd
Of all earth's nations sunk the
knee and bowed,
With shouts of "ALLA!" echoing long
and loud;
Which high in air, above the Prophet's
head,
Hundreds of banners to the sunbeam
spread
Waved, like the wings of the white
birds that fan
The flying throne of star-taught
SOLIMAN.[38]
Then thus he spoke: "Stranger, tho'
new the frame
"Thy soul inhabits now. I've trackt
its flame
"For many an age,[39]
in every chance and change
"Of that existence, thro' whose
varied range,--
"As thro' a torch-race where from
hand to hand
"The flying youths transmit their
shining brand,
"From frame to frame the unextinguisht
soul
"Rapidly passes till it reach the
goal!
"Nor think 'tis only the gross Spirits
warmed
"With duskier fire and for earth's
medium formed
"That run this course; --Beings
the most divine
"Thus deign thro' dark mortality
to shine.
"Such was the Essence that in ADAM
dwelt,
"To which all Heaven except the
Proud One knelt:[40]
"Such the refined Intelligence that
glowed
"In MOUSSA'S[41]
frame,--and thence descending flowed
"Thro' many a Prophet's breast;--in
ISSA[42] shone
"And in MOHAMMED burned; till hastening
on.
"(As a bright river that from fall
to fall
"In many a maze descending bright
thro' all,
"Finds some fair region where, each
labyrinth past,
"In one full lake of light it rests
at last)
"That Holy Spirit settling calm
and free
"From lapse or shadow centres all
in me!
Again throughout the assembly at
these words
Thousands of voices rung: the warrior's
swords
Were pointed up at heaven; a sudden
wind
In the open banners played, and
from behind
Those Persian hangings that but
ill could screen
The Harem's loveliness, white hands
were seen
Waving embroidered scarves whose
motion gave
A perfume forth--like those the
Houris wave
When beckoning to their bowers the
immortal Brave.
"But these," pursued the Chief "are
truths sublime,
"That claim a holier mood and calmer
time
"Than earth allows us now; --this
sword must first
"The darkling prison-house of mankind
burst.
"Ere Peace can visit them or Truth
let in
"Her wakening daylight on a world
of sin.
"But then, --celestial warriors,
then when all
"Earth's shrines and thrones before
our banner fall,
"When the glad Slave shall at these
feet lay down
"His broken chain, the tyrant Lord
his crown,
"The Priest his book, the Conqueror
his wreath,
"And from the lips of Truth one
mighty breath
"Shall like a whirlwind scatter
in
its breeze
"That whole dark pile of human mockeries:--
"Then shall the reign of mind commence
on earth,
"And starting fresh as from a second
birth,
"Man in the sunshine of the world's
new spring
"Shall walk transparent like some
holy thing!
"Then too your Prophet from his
angel brow
"Shall cast the Veil that hides
its splendors now,
"And gladdened Earth shall thro'
her wide expanse
"Bask in the glories of this countenance!
"For thee, young warrior, welcome!
--thou hast yet
"Some tasks to learn, some frailties
to forget,
"Ere the white war-plume o'er thy
brow can wave;--
"But, once my own, mine all till
in the grave!"
The pomp is at an end--the crowds
are gone--
Each ear and heart still haunted
by the tone
Of that deep voice, which thrilled
like ALLA'S own!
The Young all dazzled by the plumes
and lances,
The glittering throne and Haram's
half-caught glances,
The Old deep pondering on the promised
reign
Of peace and truth, and all the
female train
Ready to risk their eyes could they
but gaze
A moment on that brow's miraculous
blaze!
But there was one among the chosen
maids
Who blushed behind the gallery's
silken shades,
One, to whose soul the pageant of
to-day
Has been like death: --you saw her
pale dismay,
Ye wondering sisterhood, and heard
the burst
Of exclamation from her lips when
first
She saw that youth, too well, too
dearly known,
Silently kneeling at the Prophet's
throne.
Ah ZELICA! there was a time when
bliss
Shone o'er thy heart from every
look of his,
When but to see him, hear him, breathe
the air
In which he dwelt was thy soul's
fondest prayer;
When round him hung such a perpetual
spell,
Whate'er he did, none ever did so
well.
Too happy days! when, if he touched
a flower
Or gem of thine, 'twas sacred from
that hour;
When thou didst study him till every
tone
And gesture and dear look became
thy own.--
Thy voice like his, the changes
of his face
In thine reflected with still lovelier
grace,
Like echo, sending back sweet music,
fraught
With twice the aerial sweetness
it had brought!
Yet now he comes, --brighter than
even he
E'er beamed before, --but, ah! not
bright for thee;
No-- dread, unlookt for, like a
visitant
From the other world he comes as
if to haunt
Thy guilty soul with dreams of lost
delight,
Long lost to all but memory's aching
sight:--
Sad dreams! as when the Spirit of
our Youth
Returns in sleep, sparkling with
all the truth
And innocence once ours and leads
us back,
In mournful mockery o'er the shining
track
Of our young life and points out
every ray
Of hope and peace we've lost upon
the way!
Once happy pair! --In proud BOKHARA'S
groves,
Who had not heard of their first
youthful loves?
Born by that ancient flood,[43]
which from its spring
In the dark Mountains swiftly wandering,
Enriched by every pilgrim brook
that shines
With relics from BUCHARIA'S ruby
mines.
And, lending to the CASPIAN half
its strength,
In the cold Lake of Eagles sinks
at length;--
There, on the banks of that bright
river born,
The flowers that hung above its
wave at morn
Blest not the waters as they murmured
by
With holier scent and lustre than
the sigh
And virgin-glance of first affection
cast
Upon their youth's smooth current
as it past!
But war disturbed this vision, --far
away
From her fond eyes summoned to join
the array
Of PERSIA'S warriors on the hills
of THRACE,
The youth exchanged his sylvan dwelling-place
For the rude tent and war-field's
deathful clash;
His ZELICA'S sweet glances for the
flash
Of Grecian wild-fire, and Love's
gentle chains
For bleeding bondage on BYZANTIUM'S
plains.
Month after month in widowhood of
soul
Drooping the maiden saw two summers
roll
Their suns away-- but, ah, how cold
and dim
Even summer suns when not beheld
with him!
From time to time ill-omened rumors
came
Like spirit-tongues muttering the
sick man's name
Just ere he dies: --at length those
sounds of dread
Fell withering on her soul, "AZIM
is dead!"
Oh Grief beyond all other griefs
when fate
First leaves the young heart lone
and desolate
In the wide world without that only
tie
For which it loved to live or feared
to die;--
Lorn as the hung-up lute, that near
hath spoken
Since the sad day its master-chord
was broken!
Fond maid, the sorrow of her soul
was such,
Even reason sunk, --blighted beneath
its touch;
And tho' ere long her sanguine spirit
rose
Above the first dead pressure of
its woes,
Tho' health and bloom returned,
the delicate chain
Of thought once tangled never cleared
again.
Warm, lively, soft as in youth's
happiest day,
The mind was still all there, but
turned astray,--
A wandering bark upon whose pathway
shone
All stars of heaven except the guiding
one!
Again she smiled, nay, much and
brightly smiled,
But 'twas a lustre, strange, unreal,
wild;
And when she sung to her lute's
touching strain,
'Twas like the notes, half ecstasy,
half pain,
The bulbul[44]
utters ere her soul depart,
When, vanquisht by some minstrel's
powerful art,
She dies upon the lute whose sweetness
broke her heart!
Such was the mood in which that mission
found,
Young ZELICA, --that mission which
around
The Eastern world in every region
blest
With woman's smile sought out its
loveliest
To grace that galaxy of lips and
eyes
Which the Veiled Prophet destined
for the skies:--
And such quick welcome as a spark
receives
Dropt on a bed of Autumn's withered
leaves,
Did every tale of these enthusiasts
find
In the wild maiden's sorrow-blighted
mind.
All fire at once the maddening zeal
she caught:--
Elect of Paradise! blest, rapturous
thought!
Predestined bride, in heaven's eternal
dome,
Of some brave youth-- ha! durst
they say "of some?"
No-- of the one, one only object
traced
In her heart's core too deep to
be effaced;
The one whose memory, fresh as life,
is twined
With every broken link of her lost
mind;
Whose image lives tho' Reason's
self be wreckt
Safe mid the ruins of her intellect!
Alas, poor ZELICA! it needed all
The fantasy which held thy mind
in thrall
To see in that gay Haram's glowing
maids
A sainted colony for Eden's shades;
Or dream that he, --of whose unholy
flame
Thou wert too soon the victim, --shining
came
From Paradise to people its pure
sphere
With souls like thine which he hath
ruined here!
No-- had not reason's light totally
set,
And left thee dark thou hadst an
amulet
In the loved image graven on thy
heart
Which would have saved thee from
the tempter's art,
And kept alive in all its bloom
of breath
That purity whose fading is love's
death!--
But lost, inflamed, --a restless
zeal took place
Of the mild virgin's still and feminine
grace;
First of the Prophets favorites,
proudly first
In zeal and charms, too well the
Impostor nurst
Her soul's delirium in whose active
flame,
Thus lighting up a young, luxuriant
frame,
He saw more potent sorceries to
bind
To his dark yoke the spirits of
mankind,
More subtle chains than hell itself
e'er twined.
No art was spared, no witchery;
--all the skill
His demons taught him was employed
to fill
Her mind with gloom and ecstasy
by turns--
That gloom, thro' which Frenzy but
fiercer burns,
That ecstasy which from the depth
of sadness
Glares like the maniac's moon whose
light is madness!
'Twas from a brilliant banquet where
the sound
Of poesy and music breathed around,
Together picturing to her mind and
ear
The glories of that heaven, her
destined sphere,
Where all was pure, where every
stain that lay
Upon the spirit's light should pass
away,
And realizing more than youthful
love
E'er wisht or dreamed, she should
for ever rove
Thro' fields of fragrance by her
AZIM'S side,
His own blest, purified, eternal
bride!--
T was from a scene, a witching trance
like this,
He hurried her away, yet breathing
bliss,
To the dim charnel-house; --thro'
all its steams
Of damp and death led only by those
gleams
Which foul Corruption lights, as
with design
To show the gay and proud she
too can shine--
And passing on thro' upright ranks
of Dead
Which to the maiden, doubly crazed
by dread,
Seemed, thro' the bluish death-light
round them cast,
To move their lips in mutterings
as she past--
There in that awful place, when
each had quaft
And pledged in silence such a fearful
draught,
Such-- oh! the look and taste of
that red bowl
Will haunt her till she dies-- he
bound her soul
By a dark oath, in hell's own language
framed,
Never, while earth his mystic presence
claimed,
While the blue arch of day hung
o'er them both,
Never, by that all-imprecating oath,
In joy or sorrow from his side to
sever.--
She swore and the wide charnel echoed
"Never, never!"
From that dread hour, entirely, wildly
given
To him and-- she believed, lost
maid!-- to heaven;
Her brain, her heart, her passions
all inflamed,
How proud she stood, when in full
Haram named
The Priestess of the Faith! --how
flasht her eyes
With light, alas, that was not of
the skies,
When round in trances only less
than hers
She saw the Haram kneel, her prostrate
worshippers.
Well might MOKANNA think that form
alone
Had spells enough to make the world
his own:--
Light, lovely limbs to which the
spirit's play
Gave motion, airy as the dancing
spray,
When from its stem the small bird
wings away;
Lips in whose rosy labyrinth when
she smiled
The soul was lost, and blushes,
swift and wild
As are the momentary meteors sent
Across the uncalm but beauteous
firmament.
And then her look-- oh! where's
the heart so wise
Could unbewildered meet those matchless
eyes?
Quick, restless, strange, but exquisite
withal,
Like those of angels just before
their fall;
Now shadowed with the shames of
earth-- now crost
By glimpses of the Heaven her heart
had lost;
In every glance there broke without
control,
The flashes of a bright but troubled
soul,
Where sensibility still wildly played
Like lightning round the ruins it
had made!
And such was now young ZELICA-- so
changed
From her who some years since delighted
ranged
The almond groves that shade BOKHARA'S
tide
All life and bliss with AZIM by
her side!
So altered was she now, this festal
day,
When, mid the proud Divan's dazzling
array,
The vision of that Youth whom she
had loved,
Had wept as dead, before her breathed
and moved;--
When-- bright, she thought, as if
from Eden's track
But half-way trodden, he had wandered
back
Again to earth, glistening with
Eden's light--
Her beauteous AZIM shone before
her sight.
O Reason! who shall say what spells
renew,
When least we look for it, thy broken
clew!
Thro' what small vistas o'er the
darkened brain
Thy intellectual day-beam bursts
again;
And how like forts to which beleaguerers
win
Unhoped-for entrance thro' some
friend within,
One clear idea, wakened in the breast
By memory's magic, lets in all the
rest.
Would it were thus, unhappy girl,
with thee!
But tho' light came, it came but
partially;
Enough to show the maze, in which
thy sense
Wandered about, --but not to guide
it thence;
Enough to glimmer o'er the yawning
wave,
But not to point the harbor which
might save.
Hours of delight and peace, long
left behind,
With that dear form came rushing
o'er her mind;
But, oh! to think how deep her soul
had gone
In shame and falsehood since those
moments shone;
And then her oath-- there
madness lay again,
And shuddering, back she sunk into
her chain
Of mental darkness, as if blest
to flee
From light whose every glimpse was
agony!
Yet one relief this glance
of former years
Brought mingled with its pain, --tears,
floods of tears,
Long frozen at her heart, but now
like rills
Let loose in spring-time from the
snowy hills,
And gushing warm after a sleep of
frost,
Thro' valleys where their flow had
long been lost.
Sad and subdued, for the first time
her frame
Trembled with horror when the summons
came
(A summons proud and rare, which
all but she,
And she, till now, had heard with
ecstasy,)
To meet MOKANNA at his place of
prayer,
A garden oratory cool and fair
By the stream's side, where still
at close of day
The Prophet of the Veil retired
to pray,
Sometimes alone-- but oftener far
with one,
One chosen nymph to share his orison.
Of late none found such favor in
his sight
As the young Priestess; and tho',
since that night
When the death-caverns echoed every
tone
Of the dire oath that made her all
his own,
The Impostor sure of his infatuate
prize
Had more than once thrown off his
soul's disguise,
And uttered such unheavenly, monstrous
things,
As even across the desperate wanderings
Of a weak intellect, whose lamp
was out,
Threw startling shadows of dismay
and doubt;--
Yet zeal, ambition, her tremendous
vow,
The thought, still haunting her,
of that bright brow,
Whose blaze, as yet from mortal
eye concealed,
Would soon, proud triumph! be to
her revealed,
To her alone; --and then the hope,
most dear,
Most wild of all, that her transgression
here
Was but a passage thro' earth's
grosser fire,
From which the spirit would at last
aspire,
Even purer than before, --as perfumes
rise
Thro' flame and smoke, most welcome
to the skies--
And that when AZIM's fond, divine
embrace
Should circle her in heaven, no
darkening trace
Would on that bosom he once loved
remain.
But all be bright, be pure, be his
again!--
These were the wildering dreams,
whose curst deceit
Had chained her soul beneath the
tempter's feet,
And made her think even damning
falsehood sweet.
But now that Shape, which had appalled
her view,
That Semblance-- oh how terrible,
if true!
Which came across her frenzy's full
career
With shock of consciousness, cold,
deep, severe.
As when in northern seas at midnight
dark
An isle of ice encounters some swift
bark,
And startling all its wretches from
their sleep
By one cold impulse hurls them to
the deep;--
So came that shock not frenzy's
self could bear,
And waking up each long-lulled image
there,
But checkt her headlong soul to
sink it in despair!
Wan and dejected, thro' the evening
dusk,
She now went slowly to that small
kiosk,
Where, pondering alone his impious
schemes,
MOKANNA waited her-- too wrapt in
dreams
Of the fair-ripening future's rich
success,
To heed the sorrow, pale and spiritless,
That sat upon his victim's downcast
brow,
Or mark how slow her step, how altered
now
From the quick, ardent Priestess,
whose light bound
Came like a spirit's o'er the unechoing
ground,--
From that wild ZELICA whose every
glance
Was thrilling fire, whose every
thought a trance!
Upon his couch the Veiled MOKANNA
lay,
While lamps around-- not such as
lend their ray,
Glimmering and cold, to those who
nightly pray
In holy KOOM,[45]
or MECCA'S dim arcades,--
But brilliant, soft, such lights
as lovely maids.
Look loveliest in, shed their luxurious
glow
Upon his mystic Veil's white glittering
flow.
Beside him, 'stead of beads and
books of prayer,
Which the world fondly thought he
mused on there,
Stood Vases, filled with KISIIMEE'S[46]
golden wine,
And the red weepings of the SHIRAZ
vine;
Of which his curtained lips full
many a draught
Took zealously, as if each drop
they quaft
Like ZEMZEM'S Spring of Holiness[47]
had power
To freshen the soul's virtues into
flower!
And still he drank and pondered--
nor could see
The approaching maid, so deep his
revery;
At length with fiendish laugh like
that which broke
From EBLIS at the Fall of Man he
spoke:--
"Yes, ye vile race, for hell's amusement
given,
"Too mean for earth, yet claiming
kin with heaven;
"God's images, forsooth! --such
gods as he
"Whom INDIA serves, the monkey deity;[48]
"Ye creatures of a breath, proud
things of clay,
"To whom if LUCIFER, as gran-dams
say,
"Refused tho' at the forfeit of
heaven's light
"To bend in worship, LUCIFER was
right!
"Soon shall I plant this foot upon
the neck
"Of your foul race and without fear
or check,
"Luxuriating in hate, avenge my
shame,
"My deep-felt, long-nurst loathing
of man's name!--
"Soon at the head of myriads, blind
and fierce
"As hooded falcons, thro' the universe
"I'll sweep my darkening, desolating
way,
"Weak man my instrument, curst man
my prey!
"Ye wise, ye learned, who grope your
dull way on
"By the dim twinkling gleams of
ages gone,
"Like superstitious thieves who
think the light
"From dead men's marrow guides them
best at night[49]--
"Ye shall have honors-- wealth--
yes, Sages, yes--
"I know, grave fools, your wisdom's
nothingness;
"Undazzled it can track yon starry
sphere,
"But a gilt stick, a bauble blinds
it here.
"How I shall laugh, when trumpeted
along
"In lying speech and still more
lying song,
"By these learned slaves, the meanest
of the throng;
"Their wits brought up, their wisdom
shrunk so small,
"A sceptre's puny point can wield
it all!
"Ye too, believers of incredible
creeds,
"Whose faith enshrines the monsters
which it breeds;
"Who, bolder even than NEMROD, think
to rise
"By nonsense heapt on nonsense to
the skies;
"Ye shall have miracles, ay, sound
ones too,
"Seen, heard, attested, everything--
but true.
"Your preaching zealots too inspired
to seek
"One grace of meaning for the things
they speak:
"Your martyrs ready to shed out
their blood,
"For truths too heavenly to be understood;
"And your State Priests, sole venders
of the lore,
"That works salvation; --as, on
AVA'S shore,
"Where none but priests are privileged
to trade
"In that best marble of which Gods
are made[50];
"They shall have mysteries-- ay
precious stuff
"For knaves to thrive by-- mysteries
enough;
"Dark, tangled doctrines, dark as
fraud can weave,
"Which simple votaries shall on
trust receive,
"While craftier feign belief till
they believe.
"A Heaven too ye must have, ye lords
of dust,--
"A splendid Paradise, --pure souls,
ye must:
"That Prophet ill sustains his holy
call,
"Who finds not heavens to suit the
tastes of all;
"Houris for boys, omniscience for
sages,
"And wings and glories for all ranks
and ages.
"Vain things! --as lust or vanity
inspires,
"The heaven of each is but what
each desires,
"And, soul or sense, whate'er the
object be,
"Man would be man to all eternity!
"So let him-- EBLIS! grant this
crowning curse,
"But keep him what he is, no Hell
were worse."
"Oh my lost soul!" exclaimed the
shuddering maid,
Whose ears had drunk like poison
all he said:
MOKANNA started-- not abasht, afraid,--
He knew no more of fear than one
who dwells
Beneath the tropics knows of icicles!
But in those dismal words that reached
his ear,
"Oh my lost soul!" there was a sound
so drear,
So like that voice among the sinful
dead
In which the legend o'er Hell's
Gate is read,
That, new as 'twas from her whom
naught could dim
Or sink till now, it startled even
him.
"Ha, my fair Priestess!" --thus,
with ready wile,
The impostor turned to greet her--
"thou whose smile
"Hath inspiration in its rosy beam
"Beyond the Enthusiast's hope or
Prophet's dream,
"Light of the Faith! who twin'st
religion's zeal
"So close with love's, men know
not which they feel,
"Nor which to sigh for, in their
trance of heart,
"The heaven thou preachest or the
heaven thou art!
"What should I be without thee?
without thee
"How dull were power, how joyless
victory!
"Tho' borne by angels, if that smile
of thine
"Blest not my banner 'twere but
half divine.
"But-- why so mournful, child? those
eyes that shone
"All life last night-- what!-- is
their glory gone?
"Come, come-- this morn's fatigue
hath made them pale,
"They want rekindling-- suns themselves
would fail
"Did not their comets bring, as
I to thee,
"From light's own fount supplies
of brilliancy.
"Thou seest this cup-- no juice
of earth is here,
"But the pure waters of that upper
sphere,
"Whose rills o'er ruby beds and
topaz flow,
"Catching the gem's bright color
as they go.
"Nightly my Genii come and fill
these urns--
"Nay, drink-- in every drop life's
essence burns;
"'Twill make that soul all fire,
those eyes all light--
"Come, come, I want thy loveliest
smiles to-night:
"There is a youth-- why start?--
thou saw'st him then;
"Lookt he not nobly? such the godlike
men,
"Thou'lt have to woo thee in the
bowers above;--
"Tho' he, I fear, hath thoughts
too stern for love,
"Too ruled by that cold enemy of
bliss
"The world calls virtue-- we must
conquer this;
"Nay, shrink not, pretty sage! 'tis
not for thee
"To scan the mazes of Heaven's mystery:
"The steel must pass thro' fire,
ere it can yield
"Fit instruments for mighty hands
to wield.
"This very night I mean to try the
art
"Of powerful beauty on that warrior's
heart.
"All that my Haram boasts of bloom
and wit,
"Of skill and charms, most rare
and exquisite,
"Shall tempt the boy; --young MIRZALA'S
blue eyes
"Whose sleepy lid like snow on violets
lies;
"AROUYA'S cheeks warm as a spring-day
sun
"And lips that like the seal of
SOLOMON
"Have magic in their pressure; ZEBA'S
lute,
"And LILLA'S dancing feet that gleam
and shoot
"Rapid and white as sea-birds o'er
the deep--
"All shall combine their witching
powers to steep
"My convert's spirit in that softening
trance,
"From which to heaven is but the
next advance;--
"That glowing, yielding fusion of
the breast.
"On which Religion stamps her image
best.
"But hear me, Priestess! --tho'
each nymph of these
"Hath some peculiar, practised power
to please,
"Some glance or step which at the
mirror tried
"First charms herself, then all
the world beside:
"There still wants one to
make the victory sure,
"One who in every look joins every
lure,
"Thro' whom all beauty's beams concentred
pass,
"Dazzling and warm as thro' love's
burning glass;
"Whose gentle lips persuade without
a word,
"Whose words, even when unmeaning,
are adored.
"Like inarticulate breathings from
a shrine,
"Which our faith takes for granted
are divine!
"Such is the nymph we want, all
warmth and light,
"To crown the rich temptations of
to-night;
"Such the refined enchantress that
must be
"This hero's vanquisher, --and thou
art she!"
With her hands claspt, her lips apart
and pale,
The maid had stood gazing upon the
Veil
From which these words like south
winds thro' a fence
Of Kerzrah flowers, came filled
with pestilence;[51]
So boldly uttered too! as if all
dread
Of frowns from her, of virtuous
frowns, were fled,
And the wretch felt assured that
once plunged in,
Her woman's soul would know no pause
in sin!
At first, tho' mute she listened,
like a dream
Seemed all he said: nor could her
mind whose beam
As yet was weak penetrate half his
scheme.
But when at length he uttered, "Thou
art she!"
All flasht at once and shrieking
piteously,
"Oh not for worlds! "she cried--
"Great God! to whom
"I once knelt innocent, is this
my doom?
"Are all my dreams, my hopes of
heavenly bliss,
"My purity, my pride, then come
to this,--
"To live, the wanton of a fiend!
to be
"The pander of his guilt-- oh infamy!
"And sunk myself as low as hell
can steep
"In its hot flood, drag others down
as deep!
"Others-- ha! yes-- that youth who
came to-day--
"Not him I loved-- not him--
oh! do but say,
"But swear to me this moment 'tis
not he,
"And I will serve, dark fiend, will
worship even thee!"
"Beware, young raving thing! --in
time beware,
"Nor utter what I can not, must
not bear,
"Even from thy lips. Go--
try thy lute, thy voice,
"The boy must feel their magic;
--I rejoice
"To see those fires, no matter whence
they rise,
"Once more illuming my fait Priestess'
eyes;
"And should the youth whom soon
those eyes shall warm,
"Indeed resemble thy dead lover's
form,
"So much the happier wilt thou find
thy doom,
"As one warm lover full of life
and bloom
"Excels ten thousand cold ones in
the tomb.
"Nay, nay, no frowning, sweet! --those
eyes were made
"For love, not anger-- I must be
obeyed."
"Obeyed!- -'tis well --yes, I deserve
it all--
"On me, on me Heaven's vengeance
can not fall
"Too heavily-- but AZIM, brave and
true
"And beautiful-- must he
be ruined too?
"Must he too, glorious as
he is, be driven
"A renegade like me from Love and
Heaven?
"Like me? --weak wretch, I wrong
him-- not like me;
"No-- he's all truth and strength
and purity!
"Fill up your maddening hell-cup
to the brim,
"Its witchery, fiends, will have
no charm for him.
"Let loose your glowing wantons
from their bowers,
"He loves, he loves, and can defy
their powers!
"Wretch as I am, in his heart still
I reign
"Pure as when first we met, without
a stain!
"Tho' ruined-- lost-- my memory
like a charm
"Left by the dead still keeps his
soul from harm.
"Oh! never let him know how deep
the brow
"He kist at parting is dishonored
now;--
"Ne'er tell him how debased, how
sunk is she.
"Whom once he loved-- once! --still
loves dotingly.
"Thou laugh'st, tormentor, --what!
--thou it brand my name?
"Do, do-- in vain-- he'll not believe
my shame--
"He thinks me true, that naught
beneath God's sky
"Could tempt or change me, and--
so once thought I.
"But this is past-- tho' worse than
death my lot,
"Than hell-- 'tis nothing while
he
knows it not.
"Far off to some benighted land
I'll fly,
"Where sunbeam ne'er shall enter
till I die;
"Where none will ask the lost one
whence she came,
"But I may fade and fall without
a name.
"And thou-- curst man or fiend,
whate'er thou art,
"Who found'st this burning plague-spot
in my heart,
"And spread'st it-- oh, so quick!--
thro' soul and frame,
"With more than demon's art, till
I became
"A loathsome thing, all pestilence,
all flame!--
"If, when I'm gone"--
"Hold, fearless
maniac, hold,
"Nor tempt my rage-- by Heaven,
not half so bold
"The puny bird that dares with teasing
hum
"Within the crocodile's stretched
jaws to come![52]
"And so thou'lt fly, forsooth? --what!--
give up all
"Thy chaste dominion in the Haram
Hall,
"Where now to Love and now to ALLA
given,
"Half mistress and half saint, thou
hang'st as even
"As doth MEDINA'S tomb, 'twixt hell
and heaven!
"Thou'lt fly? --as easily may reptiles
run,
"The gaunt snake once hath fixt
his eyes upon;
"As easily, when caught, the prey
may be
"Pluckt from his loving folds, as
thou from me.
"No, no, 'tis fixt-- let good or
ill betide,
"Thou'rt mine till death, till death
MOKANNA'S bride!
"Hast thou forgot thy oath?" --At
this dread word,
The Maid whose spirit his rude taunts
had stirred
Thro' all its depths and roused
an anger there,
That burst and lightened even thro'
her despair--
Shrunk back as if a blight were
in the breath
That spoke that word and staggered
pale as death.
"Yes, my sworn bride, let others
seek in bowers
"Their bridal place-- the charnel
vault was ours!
"Instead of scents and balms, for
thee and me
"Rose the rich steams of sweet mortality,
"Gay, flickering death-lights shone
while we were wed.
"And for our guests a row of goodly
Dead,
"(Immortal spirits in their time,
no doubt,)
"From reeking shrouds upon the rite
looked out!
"That oath thou heard'st more lips
than thine repeat--
"That cup-- thou shudderest, Lady,--
was it sweet?
"That cup we pledged, the charnel's
choicest wine,
"Hath bound thee-- ay-- body and
soul all mine;
"Bound thee by chains that, whether
blest or curst
"No matter now, not hell itself
shall burst!
"Hence, woman, to the Haram, and
look gay,
"Look wild, look-- anything but
sad; yet stay--
"One moment more-- from what this
night hath past,
"I see thou know'st me, know'st
me well at last.
"Ha! ha! and so, fond thing, thou
thought'st all true,
"And that I love mankind? --I do,
I do--
"As victims, love them; as the sea-dog
dotes
"Upon the small, sweet fry that
round him floats;
"Or, as the Nile-bird loves the
slime that gives
"That rank and venomous food on
which she lives!--
"And, now thou seest my soul's
angelic hue,
"'Tis time these features
were uncurtained too;--
"This brow, whose light-- oh rare
celestial light!
"Hath been reserved to bless thy
favored sight;
"These dazzling eyes before whose
shrouded might
"Thou'st seen immortal Man kneel
down and quake--
"Would that they were heaven's
lightnings for his sake!
"But turn and look-- then wonder,
if thou wilt,
"That I should hate, should take
revenge, by guilt,
"Upon the hand whose mischief or
whose mirth
"Sent me thus mained and monstrous
upon earth;
"And on that race who, tho' more
vile they be
"Than moving apes, are demigods
to me!
"Here-- judge if hell, with all
its power to damn,
"Can add one curse to the foul thing
I am!"--
He raised his veil-- the Maid turned
slowly round,
Looked at him-- shrieked-- and sunk
upon the ground!
-- On to
Part Two --
|
|
xx |
[1] These particulars of the visit of the King
of Bucharia to Aurungzebe are found in Dow's History of Hindostan,
vol. iii. p. 392.
[2] Tulip cheek.
[3] The mistress of Mejnoun, upon whose story
so many Romances in all the languages of the East are founded.
[4] For the loves of this celebrated beauty with
Khosrou and with Ferhad, see D'Herbelot, Gibbon, Oriental Collections,
etc.
[5] "The history of the loves of Dewildé
and Chizer, the son of the Emperor Alla, is written in an elegant poem,
by the noble Chusero." —Ferishta.
[6] Gul Reazee.
[7] "One mark of honor or knighthood bestowed
by the Emperor is the permission to wear a small kettle-drum at the bows
of their saddles, which at first was invented for the training of hawks,
and to call them to the lure, and is worn in the field by all sportsmen
to that end." --Fryer's Travels.
"Those on whom the King has conferred the privilege
must wear an ornament of jewels on the right side of the turban, surmounted
by a high plume of the feathers of a kind of egret. This bird is found
only in Cashmere, and the feathers are carefully collected for the King,
who bestows them on his nobles." --Elphinstone's Account of Cabul.
[8] "Khedar Khan, the Khakan, or King of Turquestan
beyond the Gibon (at the end of the eleventh century), whenever he appeared
abroad was preceded by seven hundred horsemen with silver battle-axes,
and was followed by an equal number bearing maces of gold. He was a great
patron of poetry, and it was he who used to preside at public exercises
of genius, with four basins of gold and silver by him to distribute among
the poets who excelled." --Richardson's Dissertation prefixed to his Dictionary.
[9] "The kubdeh, a large golden knob, generally
in the shape of a pine-apple, on the top of the canopy over the litter
or palanquin." --Scott's Notes on the Bahardanush.
[10] In the Poem of Zohair, in the Moallakat,
there is the following lively description of "a company of maidens seated
on camels." "They are mounted in carriages covered with costly awnings,
and with rose-colored veils, the linings of which have the hue of crimson
Andem-wood. When they ascend from the bosom of the vale, they sit forward
on the saddlecloth, with every mark of a voluptuous gayety. Now, when they
have reached the brink of yon blue-gushing rivulet, they fix the poles
of their tents like the Arab with a settled mansion."
[11] See Bernier's description of the attendants
on Rauchanara Begum, in her progress to Cashmere.
[12] This hypocritical Emperor would have made
a worthy associate of certain Holy Leagues. --"He held the cloak of religion
[says Dow] between his actions and the vulgar; and impiously thanked the
Divinity for a success which he owed to his own wickedness. When he was
murdering and persecuting his brothers and their families, he was building
a magnificent mosque at Delhi, as an offering to God for his assistance
to him in the civil wars. He acted as high priest at the consecration of
this temple; and made a practice of attending divine service there, in
the humble dress of a Fakeer. But when he lifted one hand to the Divinity,
he, with the other, signed warrants for the assassination of his relations."
--History of Hindostan, vol. iii. p.335. See also the curious letter
of Aurungzebe, given in the
Oriental Collections, vol. i. p.320.
[13] "The idol at Jaghernat has two fine diamonds
for eyes. No goldsmith is suffered to enter the Pagoda, one having stole
one of these eyes, being locked up all night with the Idol."--Tavernier.
[14] See a description of these royal Gardens
in "An Account of the present State of Delhi," by Lieut. W. Franklin. --Asiat.
Research, vol. iv. p. 417.
[15] "In the neighborhood is Motte Gill, or the
Lake of Pearl, which receives this name from its pellucid water." --Pennant's
Hindostan.
"Nasir Jung encamped in the vicinity of the Lake
of Tonoor, amused himself with sailing on that clear and beautiful water,
and gave it the fanciful name of Motee Talab, 'the Lake of Pearls,' which
it still retains." --Wilks's
South of India.
[16] Sir Thomas Roe, Ambassador from James I.
to Jehanguire.
[17] "The romance Wemakweazra, written in Persian
verse, which contains the loves of Wamak and Ezra, two celebrated lovers
who lived before the time of Mahomet." --Note on the Oriental Tales.
[18] Their amour is recounted in the Shah-Namêh
of Ferdousi; and there is much beauty in the passage which describes the
slaves of Rodahver sitting on the bank of the river and throwing flowers
into the stream, in order to draw the attention of the young Hero who is
encamped on the opposite side. --See Champion's translation.
[19] Rustam is the Hercules of the Persians. For
the particulars of his victory over the Sepeed Deeve, or White Demon, see
Oriental
Collections, vol. ii. p. 45. --Near the city of Shiraz is an
immense quadrangular monument, in commemoration of this combat, called
the Kelaat-i-Deev Sepeed, or castle of the White Giant, which Father Angelo,
in his Gazophilacium Persicum, p.127, declares to have been the
most memorable monument of antiquity which he had seen in Persia. --See
Ouseley's Persian Miscellanies.
[20] "The women of the Idol, or dancing girls
of the Pagoda, have little golden bells, fastened to their feet, the soft
harmonious tinkling of which vibrates in unison with the exquisite melody
of their voices." --Maurice's Indian Antiquities.
"The Arabian courtesans, like the Indian women,
have little golden bells fastened round their legs, neck, and elbows, to
the sound of which they dance before the King. The Arabian princesses wear
golden rings on their fingers, to which little bells are suspended, as
well as in the flowing tresses of their hair, that their superior rank
may be known and they themselves receive in passing the homage due to them."
--See Calmet's Dictionary, art. "Bells."
[21] The Indian Apollo. —"He and the three
Ramas are described as youths of perfect beauty, and the princesses of
Hindustan were all passionately in love with Chrishna, who continues to
this hour the darling God of the Indan women." --Sir W. Jones, on the Gods
of Greece, Italy, and India.
[22] See Turner's Embassy for a description
of this animal, "the most beautiful among the whole tribe of goats." The
material for the shawls (which is carried to Cashmere) is found next the
skin.
[23] For the real history of this Impostor, whose
original name was Hakem ben Haschem, and who was called Mocanna from the
veil of silver gauze (or, as others say, golden) which he always wore,
see D'Herbelot.
[24] Khorassan signifies, in the old Persian language,
Province or Region of the Sun. --Sir W. Jones.
[25] "The fruits of Meru are finer than those
of any other place: and one cannot see in any other city such palaces with
groves, and streams, and gardens." --Ebn Haukal's Geography.
[26] One of the royal cities of Khorassan.
[27] Moses.
[28] Black was the color adopted by the Caliphs
of the House of Abbas, in their garments, turbans, and standards.
[29] "Our dark javelins, exquisitely wrought of
Khathaian reeds, slender and delicate." --Poem of Amru.
[30] Pichula, used anciently for arrows by the
Persians.
[31] The Persians call this plant Gaz. The celebrated
shaft of Isfendiar, one of their ancient heroes, was made of it.
--"Nothing can be more beautiful than the appearance of this plant in flower
during the rains on the banks of rivers, where it is usually interwoven
with a lovely twining asclepias." --Sir W. Jones.
[32] The oriental plane. "The chenar is a delightful
tree; its bole is of a fine white and smooth bark; and its foliage, which
grows in a tuft at the summit, is of a bright green." --Morier's Travels.
[33] The burning fountains of Brahma near Chittogong,
esteemed as holy. --Turner.
[34] China.
[35] "The name of tulip is said to be of Turkish
extraction, and given to the flower on account of its resembling a turban."
--Beckmann's History of Inventions.
[36] "The inhabitants of Bucharia wear a round
cloth bonnet, shaped much after the Polish fashion, having a large fur
border. They tie their kaftans about the middle with a girdle of a kind
of silk crape, several times round the body." --"Account of Independent
Tartary," in Pinkerton's Collection.
[37] In the war of the Caliph Mahadi against the
Empress Irene, for an account of which vide Gibbon, vol. x.
[38] When Soliman travelled, the eastern writers
say, "He had a carpet of green silk on which his throne was placed, being
of a prodigious length and breadth, and sufficient for all his forces to
stand upon, the men placing themselves on his right hand, and the spirits
on his left; and that when all were in order, the wind, at his command,
took up the carpet, and transported it, with all that were upon it, wherever
he pleased; the army of birds at the same time flying over their heads,
and forming a kind of canopy to shade them from the sun." --Sale's Koran,
vol. ii. p. 214, note.
[39] The transmigration of souls was one of his
doctrines. --Vide D'Herbelot.
[40] "And when we said unto the angels, Worship
Adam, they all worshipped him except Eblis (Lucifer), who refused." The.
Koran, chap. ii.
[41] Moses.
[42] Jesus.
[43] The Amu, which rises in the Belur Tag, or
Dark Mountains, and running nearly from east to west, splits into two branches;
one of which falls into the Caspian Sea, and the other into Aral Nahr,
or the Lake of Eagles.
[44] The nightingale.
[45] The cities of Com (or Koom) and Cashan are
full of mosques, mausoleums and sepulchres of the descendants of Ali, the
Saints of Persia. --Chardin.
[46] An island in the Persian Gulf, celebrated
for its white wine.
[47] The miraculous well at Mecca: so called,
says Sale, from themurmuring of its waters.
[48] The god Hannaman. --"Apes are in many parts
of India highly venerated, out of respect to the God Hannaman, a deity
partaking of the form of that race." --Pennant's Hindoostan.
See a curious account in Stephen's Persia,
of a solemn embassy from some part of the Indies to Goa when the Portuguese
were there, offering vast treasures for the recovery of a monkey's tooth,
which they held in great veneration, and which had been taken away upon
the conquest of the kingdom of Jafanapatan.
[49] A kind of lantern formerly used by robbers,
called the Hand of Glory, the candle for which was made of the fat of a
dead malefactor. This, however, was rather a western than an eastern superstition.
[50] The material of which images of Gaudma (the
Birman Deity) are made, is held sacred. "Birmans may not purchase the marble
in mass, but are suffered, and indeed encouraged, to buy figures of the
Deity ready made." --Sytnes's Ava, vol. ii. p. 876.
[51] "It is commonly said in Persia, that if a
man breathe in the hot south wind, which in June or July passes over that
flower (the Kerzereh), it will kill him." --Thevenot.
[52] The humming bird is said to run this risk
for the purpose of picking the crocodile's teeth. The same circumstance
is related of the lapwing, as a fact to which he was witness, by Paul Lucas,
Voyage
fait en 1714.
The ancient story concerning the Trochilus, or
humming-bird, entering with impunity into the mouth of the crocodile, is
firmly believed at Java. --Barrow's Cochin-China. |