Jalal ud-Din AKBAR (r.1556-1605) | |
Akbar, the greatest *Mughal* emperor, was born in 1542, so he was 14 or 15 in 1556 when on his behalf Bairam Khan defeated Hemu in the decisive Second Battle of Panipat | |
After Akbar's early, crucial capture of Malwa (1561) from the Afghan ruler Baz Bahadur of *Mandu*, kathak dancers from the newly captured city perform for him | |
DARGAH* |
For some years, starting in 1565, Akbar pays devoted visits, on foot, to the shrine of Khvajah Mu'in ud-Din Chishti in Ajmer |
The siege of the early Mewar capital of *Chitor* (1567) involves newly powerful cannons-- and the Rajput ritual of "johar" within the city | |
A Rajput prince submits to Akbar (1568); the terms of the submission are far from being humiliating, and the act itself appears familial and inclusive rather than punitive | |
SIKRI* |
Around 1570, Akbar begins building his own city of Fatahpur Sikri, to honor Shaikh Salim Chishti, after whom he had named his first son |
Jesuits participated in the religious discussions in the "House of Worship" there-- while in Europe, Catholics and Protestants massacred each other | |
In the crucial battle of Haldighati (1576), it was Rajput against Rajput: Akbar's general Man Singh won, but Pratap Singh of Mewar (1542-97), stubbornly holding out in *Udaipur*, later become a romantic hero | |
Akbar receives an embassy from Queen Elizabeth, 1586; European navigational techniques, though still chancy, were steadily improving | |
In 1595, Chand Bibi, Regent of Ahmadnagar, famously withstood a siege of Ahmadnagar Fort; in 1599, another such siege ended in her death at the hands of her own troops, after she was rumored to have turned traitor | |
Like so many of his predecessors, Akbar issued exceptionally lovely coins; some bear the famous or notorious slogan "Allahu Akbar" | |
Over time, Akbar becomes more of a religious free-thinker: *some of his thoughts about life in general* | |
An unusual drawing of Akbar deep in thought; it was made only a year or so before his death | |
Some of his miniature painters came directly from Iran, where the art had been highly developed; at his court *calligraphy* was also cultivated | |
Early in his reign he commissioned the astonishing Hamzah-Namah, a set of huge illustrations for a traditional Persian romance of which he was fond | |
Akbar saw to it that his miniature painters were also exposed to European art, including Christian religious art-- and Greek mythology | |
He also commissioned paintings on Hindu religious themes, like this extremely famous one of Krishna lifting Mount Govardhan (at the Met) | |
FORT* |
During the later part of his reign, Akbar had to spend time dealing with problems in the northwest; the Lahore Fort thus became an especially important project |
He also built a fort at ATTOCK, on the Indus River | |
Another of Akbar's forts was the one in ALLAHABAD; he also personally supervised the building of the earliest part of the *Agra Fort* | |
And he sent Raja Man Singh into Bengal, where he built a new capital town of RAJMAHAL in the northwest (just a bit west of the old capitals of *Gaur* and *Pandua*) | |
In 1600 he took Khandesh, and made BURHANPUR the Mughal headquarters in the Deccan (until it was replaced by *Daulatabad*in 1633) | |
One of Akbar's most valued officers was Raja Birbal, who later came to figure (quite unhistorically) in countless "Akbar-Birbal jokes"; another close friend was *Abu'l-Fazl* | |
And now, with a Bollywood film (2008) about his romance with a Rajput princess, Akbar's place in history is truly secure | |
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