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EUROPEAN COMPENDIA OF KNOWLEDGE, c.1700's |
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*NUREM-
BERG*
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The Nuremberg Chronicle,
1493, a global geographical overview, provides an early
benchmark for comparison |
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*MUNSTER*
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The "Cosmographia" (1544) of
Sebastian Münster (1488-1552) was another extremely
influential precursor |
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Theodore De Bry's "India
Orientalis" (c.1599) provided some remarkable engravings
of scenes on the Malabar Coast, and in Ceylon and
Indonesia |
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In 1667, the Dutch Jesuit
priest Cornelius Hazart published a "Religious History
of the Whole World" |
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Some of the "curiosities
and wonders" of east and west compiled by Simon de
Vries, Utrecht, 1682
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*MALLET*
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Alain Manesson Mallet then
produced his extremely popular "Description de
l'Univers" (Paris, 1683), which was reprinted many times in several European
languages |
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In 1693, Johannes Nieuhof published his "Voyages and
travels into Brasil, and the East Indies," with many
views of the Malabar Coast
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Cornelis de Bruyn, a Dutch
artist, depicted some of the places he had visited
during his travels in the Levant and beyond (c.1699) |
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The peoples of the world as
they were envisioned in Paris in 1705, according to "La
Geographie Universelle," by La Croix |
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During the early 1700's (1706-), Pieter van der Aa
published populst travel narratives and books about world
cultures that were full of remarkably lively engravings
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*Picart*
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Bernard Picart's nine-volume
"Religious Ceremonies and Customs of All the Peoples of
the World" (1722, 1728) became widely influential
throughout Europe; |
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In 1724-26, the Dutch missionary Francois Valentijn
published a record of his travels in the East Indies
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Johann Jakob Scheuchzer in
his "Physica Sacra" (1733) depicted everything--
ivory-hunts and whaling, animals and plants, idol-making
and Armageddon |
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Thomas Salmon claimed to
cover "Modern History: or, the Present State of all
Nations" (London, 1739) |
*PREVOST*
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"Histoire générale des
Voyages (Paris, 1746-1759; 15 volumes) by l'Abbé Antoine
François Prévost, contained many maps and views by *Jacques-Nicolas
Bellin* |
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The beautiful
four-volume "Collection of the Dresses of Different
Nations" (London: 1757-72) by Thomas Jefferys has
influenced theatrical costume design ever since
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The peoples of the world,
according to "A New Geographical Dictionary" by J.
Coote, London, 1760 |
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"A New Universal Collection
of Voyages and Travels, from the Earliest Accounts to
the present time...", by Edward Cavendish Drake, London,
1771 |
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William Hurd (Amsterdam,
1781) undertook to describe all the world's religions |
*KERR*
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A tremendous 14-volume set of
early European travel narratives was compiled and
published by Robert Kerr (1755-1813) |
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The botanist and explorer Pierre Sonnerat depicted
not only plants, but also aspects of Hindu religious
life (Paris, 1782)
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In his "Costumes Civils"
(Paris, 1789) Sylvain Maréchal depicted styles of dress
around the world |
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A similar collection was that of Teodoro Viero,
published from Venice, in 1790
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In 1843, the French
geographer Thunot Duvotenay published an atlas full of
Indian religious mythology, historical figures, and
architectural views |
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And in the same year Ernest Breton published his
lively architectural overview "Monuments du tous les
peuples" (Paris, 1843), full of small vignettes
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The well-known publisher A.
Fullarton of Edinburgh released in 1850 a "Gazetteer of
the World" in which a somewhat misty India loomed very
large |
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