That figure visible from a distance could only be
Miss Pal.
Still, before
believing
it I adjusted my glasses. No doubt about it-- that was
Miss Pal. Well,
I had known that she was living somewhere in Kulu. But I
had hardly expected
such a meeting as this! Even seeing her in front of me, I
could not believe
she would be living in that little village between Kulu
and Manali. When
she quit her job and left Delhi, everyone there had told
such stories about
her!
The bus pulled
up near the
Raysan Post Office. Miss Pal was standing nearby with a
bag in her hand
talking to the postmaster. After thanking him for
something, she turned
toward the bus--just as I stepped down in front of her.
Miss Pal was somewhat
taken aback; but when she recognized me her face lit up
with happiness
and enthusiasm.
"What! Is that
you, Ranjit?"
she exclaimed. "How in the world did you get here?"
"I'm coming
from Manali,"
I said.
"Really? How
long have you
been in Manali?"
"Eight or ten
days. Today
I'm leaving, to go back to Delhi."
"You're leaving
today?"
Half the enthusiasm disappeared from her face. "It's
really not very nice
of you--you've been here eight or ten days and haven.t
even tried to come
see me! You must have known I'm living in Kulu now."
"Yes, but I
didn't know
where in Kulu you'd be. I just happened to run into you;
otherwise how
would I have known you'd settled in this wilderness?"
"Really, this
is very bad,"
Miss Pal said in a reproachful voice. "You've been here so
many days, and
we meet today just as you're leaving--"
The driver
began to honk
the horn loudly. Miss Pal spoke to him in a tone of
mingled reproof and
apology. "Just a minute, s.ir. I'm going on this bus too.
Please give me
one seat to Kulu. Thank you, thank you very much." Turning
to me, she asked,
"How far are you going on this bus?"
"To
Jogindernagar. I'll
spend the night there and catch the through bus tomorrow
morning."
/100/ The
driver now
began honking even more loudly. Miss Pal, angry and
helpless, glared at
him. Heading far the bus door she said, "All right, we'll
be together as
far as Kulu; when we get to Kulu we'll talk more. You
really must stay
with me a few days before going on."
The bus had
previously been
very crowded and two or three more passengers had just
gotten on, so there
was no longer any standing room. When Miss Pal started to
enter the conductor
lifted his hand and stopped her. I explained to him at
great length that
my seat was vacant, that the lady would sit there, and
that I would manage
to stand in the crowd. But the conductor stuck to his
point and insisted
that he couldn.t take any more passengers. I was in the
midst of talking
to him when the driver started the bus. My luggage was
inside, so I ran
and jumped on. While entering, I looked back at Miss Pal.
She stood there
dumbfounded--as though someone had snatched her bag and
run off and she
couldn't decide what to do.
Turning slowly,
the bus
headed for Kulu. Then I began to feel remorseful. Since
Miss Pal couldn't
get a place in the bus, why hadn't I had my luggage taken
out? My ticket
was for Jogindernagar but I didn't have to go all the way
on it. However,
the meeting with Miss Pal had happened so abruptly and the
time for decision
was so short, that this idea hadn't even crossed my mind.
If there had
been even a little more time, I'd certainly have stopped
in Raysan for
a while. In so short a time I couldn t even ask Miss Pal
how she was, and
there was so much that I was curious to find out! After
her departure from
Delhi people kept spreading all sorts of rumors. Someone
thought she'd
married a retired English major in Kulu and the major had
put his apple
orchards in her name. Someone else had heard that she was
getting a government
pension there and wasn't doing anything--just going around
and seeing the
sights. Some were of the opinion that Miss Pal had lost
her mind and to
cure her the government had sent her to the Amritsar
insane asylum. For
Miss Pal had quit her secure, 500-rupee job one day and
gone away--leaving
everyone to spin all sorts of stories about her.
At the time
Miss Pal handed
in her letter of resignation I was not in Delhi; I had
taken a long leave
and gone out of town. But the reason for Miss Pal's
quitting I knew well
enough. She worked with me in the Information Department
and in Rajendernagar
she lived ten or twelve houses away from us. Even in Delhi
her life was
quite lonely; she remained alienated from most of the
office people and
very seldom mixed with people from outside. Feeling that
the atmosphere
of the office was hostile to her, she counted the hours of
every day she
spent there. She used to complain that almost everyone
there was of cheap
mentality, that it was impossible even to share an office
with such people.
"These people
are so low
and without integrity," she always said. "They say such
small and mean
things that when I work among them I feel continually
suffocated. God knows
why people quarrel with each other over such small, petty
things and try
to humiliate each other for their own small, petty
self-interest!"
But the chief
cause of her
continuing unhappiness there was perhaps different, a
cause which she never
openly acknowledged. People knew about /101/
it, though, and
deliberately said all kinds of things to tease her.
Bukhariya made some
remark or other about her complexion practically every
day.
"What's this,
Miss Pal!
Your complexion is so very clear today!"
From the other
side Joravar
Singh would chime in, "And lately Miss Pal is getting even
slimmer than
before!"
Miss Pal used
to be badly
upset by these remarks; sometimes she would even get up
and leave the room.
People made all kinds of comments about her dress and
cosmetics as well.
Perhaps in order to compensate for the width of her body,
the poor thing
cut her hair short, wore sleeveless kamizes, and--
although she disliked
cosmetics--spent a long time putting on make-up every day.
But the moment
she entered the office, some remark from somebody or other
would reach
her ears. "Miss Pal, the design of your new kamiz is
excellent. You look
really ravishing today!"
Every remark of
this sort
cut Miss Pal to the heart. The longer she remained in the
office, the more
somber her face became. When five o'clock struck, she got
up from her desk
as though after hours of suffering her release had come.
On leaving the
office she went straight to her house and stayed there
until it was time
to go to the office the next morning. Perhaps since she
was fed up with
the office people, she didn't want to mix much with other
people either.
But because my house was very near, or maybe because among
the office people
I was the only one who never gave her cause for complaint,
she sometimes
came over to our house in the evening. I lived with an
aunt, my father's
sister, and Miss Pal used to visit with her and her
daughters also. Sometimes
she would give them a hand with the housework.
Other times we
went over
to her house. To pass the time at home she used to
practice music and painting.
When we arrived at her house the sound of a sitar would be
coming from
her room; or, with paints and brush in hand, she would be
absorbed in working
on some picture. But when she wasn't doing either of these
things, she
woula be lying on her wooden bed on a soft mattress
between two pillows,
staring at the ceiling. Her mattress was always covered
with a threadbare
piece of silk fabric; no telling why, but whenever I saw
it I felt very
uncomfortable and had the urge to take it out somewhere
and throw it away.
In her room sitar, tabla, paints, canvas, pictures,
clothes, and bathing
and tea-making things were so scattered around that it was
difficult even
to free a chair to sit on. Sometimes I had to sit on her
threadbare silk-covered
bed; then I was in great distress and felt like getting
away as quickly
as possible. Miss Pal would search the room and pull out,
no telling from
where, a teapot and three or four broken cups. Then she
would start making
us "first-class Bohemian coffee." Sometimes she showed us
her completed
paintings and we three--rny two cousins and I--would
praise them in order
to conceal our ignorance. But at other times she was very
sad and couldn't
even carryon a normal conversation. My cousins used to get
annoyed at this
and say that they were never coming back to her house. But
at such times
I used to feel more sympathy for her.
The last time I
went to
Miss Pal's house I found her very unhappy. I had just had
surgery for appendicitis,
and had been in the hospital for some days. Almost every
day Miss Pal came
to the hospital to inquire about me. /102/ My
aunt stayed with
me there, but it was very difficult for her to collect all
the necessities
for meals. Miss Pal had come early every morning bringing
vegetables, milk,
and other things. The day I went to her house was the day
1 after my release
from the hospital, and I was still fairly weak.
Nevertheless, I went over
to thank her for all the trouble she'd taken for me.
Miss Pal had
gotten leave
from the office and was shut up in her room, lying on her
matress. I suspected
that she hadn't even bathed that morning.
"What's the
matter, Miss
Pal? Aren't you feeling well?" I asked.
I'm feeling
fine," she said.
"But I'm thinking of giving up my job."
"Why? Has
something happened?"
"No, what could
happen?
The reason is simply that I can't even work among such
people. I'm thinking
of going away to some beautiful, remote little place in
the mountains,
settling there, and working hard on my music and painting.
I feel that
I'm completely wasting my life here; I don't see what
meaning there is
in living like this. In the morning I get up and go to the
office. After
spoiling seven or eight hours there I come home, eat
dinner, and go to
sleep. This whole cycle seems meaningless to me. I'm
thinking about my
real necessities! I could go anywhere and rent some little
room or shack,
take a few necessary things, and live on fifty or seventy
or a hundred
rupees a month. Here, the 500 rupees I earn all get spent.
How my money
it goes, I don't even understand myself. For a life like
this, why should
I bear the burden of going to the office? If1 live
elsewhere, at least
I'll have my freedom. I have some money saved and I'll get
some money from
my retirement fund too. In a small place I can live on
that amount for
a long t time. I want to go live somewhere where there
won't be all thisdirtiness,
where people won't do all these petty, spiteful things. To
live decently
people should at least feel that their surroundings are
clear and clean,
that they aren't living in muddy water like frogs."
"But no matter
where you
go, how can you say that everything will be just as you
want? I'm sure
that wherever you go you'll find both good and bad things
around you. If
you get upset about the atmosphere here and go somewhere
else, how do you
know the atmosphere there won't upset you as well? I think
you're wrong
about leaving your job. Stay here and go on with your
music and painting.
If people keep talking, then just let them talk!"
But Miss Pal's
repulsion
was not lessened. "No, you don't understand, Ranjit," she
said. "If I live
among these people much longer, I'll really lose my mind.
You may not know
it, but when I brought you milk and vegetables in the
mornings, they made
insinuations even about that. These people, who think such
things about
even the best human actions-- how can anyone live among
them? I've borne
it all for a long time, but now I can't bear it any more.
I'm thinking
of getting away as quickly as possible. Only I haven't
managed to decide
yet where to go. Since I'm alone, I'm a little afraid to
go and live in
some unknown place. You know that I--" Leaving her
sentence unfinished,
she suddenly got up. "Well, I'll make you some tea. You've
just come out
of the hospital and all I do is talk about myself! You
should stay home
now and rest for a while. If you start going out and
wandering around like
this, it won't be good for you."
/103/ "No
thanks.
I don't want tea." I said. "I can't explain properly, but
I think you're
giving people's remarks more importance than necessary.
And it seems to
me that. in reality. people aren't as bad as you think. If
you look at
it from the point of view that--"
"Let's just
drop the matter."
Miss Pal cut me off in mid-sentence. "I hate these people
with all my heart.
You call them human beings? I much prefer my Pinky to such
people. He's
so much more civilized."
Pinky was Miss
Pal's little
dog. For some time she'd been holding him in her lap and
petting him. I
had often noticed that she loved the dog like a child.
After feeding him,
she even used to wipe his mouth with a towel as she would
a child's. Some
time later when.I got up to leave. Miss Pal took him in
her arms and escorted
me to the door.
"Pinky, say
ta-ta to Uncle,"
she said. taking one of his front paws in her hand and
waving it. "Say
ta-ta, ta-ta!"
And when I came
back from
my long leave, Miss Pal had already handed in her letter
of resignation
and gone away. She had said only that she was going to
live in some village
in Kulu. The rest of the story was supplied by people's
imaginations.
The bus was
following the
bends of the Beas, and I felt like turning back and
going to Raysan. I
had stayed alone in Manali for only ten days and gotten
bored-- while Miss
Pal had been living in Raysan for months. I wanted to
know how she was
living there all alone, and what she was doing with
herself since quitting
her job. Meeting and talking with some familiar person
in an unfamiliar
place like tha.t has an attraction of its own. When the
bus stopped at
Kulu I took my luggage down. left it in the Himachal
Government Transportation
Office, and caught the first bus back to Raysan. In only
fifteen or twenty
minutes the bus let me off in the Raysan bazaar. I asked
a shopkeeper where
Miss Pal lived.
"Who's Miss
Pal. brother?"
the shopkeeper asked the young man sitting near him.
"Not that one, the
miss with her hair cut short?"
"Yes. that
would be the
one."
Four or five
other people
were sitting in the shop. Their eyes all turned in my
direction. It seemed
that they couldn't make up their minds what my
relationship could be to
the miss with her hair cut short.
"Please come
with me; I'll
take you to her house," the young man said, stepping out
of the shop. As
he walked beside me on the road he asked. "How is it,
sir, is this miss
entirely alone, or-- ?"
"Yes. she's
quite alone."
/104/
For some time
we walked in silence. Then he asked, "How are you
related to her?"
I couldn't
decide what answer
to give him. After thinking a moment I replied, "I'm not
related to her.
I just happen to know her."
Turning right
from the road
and climbing a slight rise, we arrived in an open field.
The field was
surrounded on all sides by trees, and in the middle had
been built five
or six latticed cottages, which looked like giant
chicken coops. After
pointing out the first cottage as Miss Pal's, the boy
went back. I tapped
on the door.
"Who's
there?" came Miss
Pal's voice from inside.
"It's a
guest, Miss Pal;
open the door." "
The door's
open; please
come in."
I pushed the
door open and
went in. Miss Pal had spread her mattress and cushions
on a rope bed, and
was lying among them just as she used to lie on her
wooden bed in Delhi.
Near the head of the bed lay an open book face down--
Bertrand Russell's
Conquest
of Happiness. Looking at her, I couldn't decide if
she had been reading
the book or just lying and staring at the ceiling.
Seeing me she sat up,
startled.
"What, you--"
"Yes, me. You
wouldn't have
suspected that somebody once gone would c come back so
soon!"
"Really,
you're a very strange
man! If you were going to come back, then why didn't you
get down at the
time?"
"Instead of
all this, you
should thank me-- I went seven miles and came back."
"I would have
thanked you
very sweetly then, if you had gotten down and given me a
seat in the bus!"
I laughed and
began to look
around for a place to sit. Here too there was almost the
same universal
confusion and chaos as in her house in Delhi. Everything
was being pressed
into service for some other purpose. A chair was laden
from top to bottom
with dirty clothes. On another chair some paints were
scattered, and a
plate with a number of nails in it.
"Sit down,
I'll make you
some tea right away." Miss Pal suddenly roused herself
and began to get
up.
"You've
hardly asked me
to sit down and already you've begun to worry about
tea?" I said. "You
just find me a place to sit and forget about the tea.
Right now I'm not
the least bit in the mood for that 'Bohemian tea' of
yours."
/105/
"Then don't
have tea. Do you think I enjoy making all that fuss?
I'll fix you a place
to sit right now." Removing the clothing, etc., she
cleared a chair. To
the right was a big table, but it too was so cluttered
that there wasn't
even space to rest an elbow. When I sat down, I tried to
stretch my legs--
only to find that she had put her finished sketches
underneath the heap
of clothes. Miss Pal sat back on her bed, propping
herself up with the
aid of cushions. On her mattress she had spread that
same threadbare silk
fabric that used to irritate me whenever I saw it. And,
just as before,
I began to want to take it off and rip it up or throw it
in a fire somewhere.
To light a cigarette I picked up the matchbox from the
table, opened it--
and immediately put it down. There were no matches in
the box; it was filled
with a sort of rose-colored paint. I glanced all around
the room seeking
matches, but no box was visible.
"The matches
are in the
kitchen; I'll bring them right away." As she spoke Miss
Pal suddenly got
up again and left the room. I continued to look around.
I was remembering
the day when I had stayed late at Miss Pal's house
talking to her. When
I remembered her making Pinky say "ta-ta," I laughed
involuntarily.
I had laughed
just as Miss
Pal entered carrying the matchbox. My sitting alone in
the room and laughing
must have seemed very unnatural to her. She suddenly
became serious.
"Did someone
give you a
drink, or what?" she asked in a voice half joking,
half accusing.
"No, no, I'm
laughing about
my having come back like this." As though to convince
myself of the truth
of my lie, I gave an elaborate imitation of my laugh and
said, "How could
I have thought that in this unknown place I'd suddenly
meet you? And how
could you have thought that the man who went off in the
bus would be sitting
in your room talking to you an hour later?"
Believing
that I had explained
the reason for my laughter, I asked, "But where is your
Pinky? He doesn't
seem to be around."
At the
mention of Pinky,
Miss Pal's face became even more serious and then began
to look quite harsh.
A redness appeared in her eyes, as though she hadn't
slept well for some
nights.
"Pinky caught
a cold one
evening after coming here," she said, suppressing a
sigh. "I fed him many
warm things, but after two days he passed away."
I changed the
subject and
began to complain that she'd gone away without telling
anyone her exact
whereabouts, and that this was bad.
"Do the
people in the office
still laugh at the mention of Miss Pal?" she asked, as
though the questioner
were someone quite distinct from that Miss Pal about
whom the question
had been asked. But her eyes betrayed great eagerness to
hear my answer.
"Why do you
always give
such importance to people's talk, Miss Pal?" I asked.
"People say this
and that about somebody because they have so few
other /106/
sources of amusement in their lives. When that person
goes away, within
a few days they forget whether he even exists in the
world or not."
But even
while speaking
I sensed that I had made a mistake. Miss Pal perhaps
wanted to hear that
people were making those remarks about her even now and
cracking the same
jokes; perhaps this belief was necessary to enable her
to accept her present
life. "It could be that they don't make remarks in front
of you," Miss
Pal said, "because they know that we-- um-- uh-- are
still friends. No,
can those low people ever refrain from making remarks?"
I was glad
that Miss Pal
didn't believe what I'd said. Perhaps she thought that I
was falsely trying
to reassure her. "It could be that they make remarks," I
conceded. "But
why do you think about those people? For you, at least,
they have no existence
at all now."
"For me those
people never
had any existence," Miss Pall asserted, her mouth
twisted with hatred.
"I don't consider any of them worth my little finger."
Her eyes
revealed the vengeance
which, even now, she wished to take. I thought it would
be best to change
the subject.
"You know
that Ramesh has
been transferred back to Lucknow?" I asked.
"Rea lly?"
Miss Pal
showed no curiosity
to know more about the matter. Nevertheless, I began to
tell her the story
of Ramesh's transfer in detail. Miss Pal kept saying
"Yes, yes," but it
was clear that somewhere inside herself she was lost in
thought.
When I had
finished the
story of Ramesh, we both remained silent a few
moments. Then Miss
Pal said, "Look, I'm telling you the truth, Ranjit, when
I was there it
always seemed impossible to spend one more moment among
those people. It
was like living in hell. You know that I never even
wanted to talk to anyone
in that office."
Having left
Manali in the
morning without breakfast, I was hungry. I thought it
proper to bring the
conversation around to the subject of food. I asked her
what arrangement
she had made for her meals: did she cook them herself,
or have them left
by some servant?
"But are you
hungry?" Miss
Pal now emerged from the atmosphere of the office. "If
you're hungry, then
come in the kitchen with me. For now you'll have to eat
some of whatever
is ready. Of course, in the evening I'll cook something
and feed you properly.
If I'd known you were coming, I would have had something
waiting for you.
You can't get anything in the bazaar here; if there are
even good vegetables
it's a lucky day. Sometimes you can get one or two
eggs-- in the evening
I'll cook trout for you. The trout here are quite good
but very difficult
to get."
/107/ I
was happy
at having successfully changed the subject. Miss Pal got
up from the bed.
Getting out of my chair I said, "All right, 1'11 take a
1ook in the kitchen.
Right now I'm terribly hungry, so anything at all that's
ready will taste
better than trout to me. In the evening I'll be going on
to Jogindernagar."
Miss Pa1,
going out the
door, suddenly stopped. "If you had to be in
Jogindernagar in the evening,
why did you come back at all? You'd better get used to
the idea-- I won't
let you leave today. Do you know that in these three
months you're my first
guest? How can I 1et you go today-- do you have some
luggage with you or
did you come just like this?"
I told her I
had left my
luggage in the Himachal Government Transportation
Office, telling them
that I'd be back in two hours.
"I'll have
the postmaster
telephone them right away. Your luggage wi11 be safe
there till tomorrow.
We'1l go on tomorrow morning's bus and bring it here.
You'll stay for at
least a week. Understand? If I'd known that you were in
Manali, I'd have
gone there for a while too. Here these days I-- well--
first come along
to the kitchen, otherwise you'll run away out of sheer
hunger."
I was not
prepared for this
new state of affairs. Intending to talk to her about it
later, I went with
her to the kitchen. There was less anarchy in the
kitchen than in the other
room, perhaps because there was much less furniture. A
fabric-covered easy
chair was almost empty--only a salt shaker had been left
on it. Perhaps
Miss Pa1 sat in it when she cooked. All the other
cooking utensils were
lying on a broken table. She quick1y removed the sa1t
shaker from the chair
to the tab1e and thus made a place for me to sit.
Miss Pal
hastily lit the
stove and put the pot of vegetables on it. The ladle was
not clean, and
she went out to wash it; coming back, she couldn't find
a cloth with which
to wipe, so she wiped it on her own kamiz and began to
stir the vegetables.
"Is there
really enough
for two, or will they both be hungry afterwards?" I
asked.
"There's a
lot of food,"
Miss Pal said bending over and looking in the pot.
"What is
there?"
Miss Pal
began groping in
the vegetables with the ladle. "There's quite a lot.
There are potatoes
and eggplant and perhaps-- perhaps even some squash. I
made these vegetab1es
the day before yesterday."
"The day
before yesterday?"
I was as startled as if I'd suddenly bumped my head on
something. Miss
Pal kept stirring.
"I don't
manage to cook
every day," she said. "If I started cooking every day,
I'd have time for
nothing else. And um-- uh-- I don't usually
/108/ have the
enthusiasm to cook every day just for myself alone.
Sometimes I cook the
whole week's food at once and then I can eat without
bothering. If you
want, I'll make fresh food for you right now."
"Then the
chapattis too
are left over from the day before yesterday?" I suddenly
got up from the
chair.
"Come here
and take a look;
see if you can eat them or not." She went to a cane box
in the corner.
I followed her. She lifted the lid and showed me
twenty-five or thirty
dried-out chappatis. While drying, the chapattis had
taken on all kinds
of shapes. I came away and sat down again in the chair.
"I'll make
fresh chapattis
for you," Miss Pal said, looking at me guiltily.
"No, no,
whatever is ready,
I'll eat," I said. Inwardly, however, I deplored my own
nobility.
Having
covered the box,
Miss Pal went back to the stove.
"The
vegetables don't last
for more than three days," she said. "After that I make
do with jam, onions,
and salt for my chapattis. You can get lots of plums
here, so I've made
plenty of plum jam. Taste it and see; it's good
jam--wait, I'll get you
a plate."
She quickly
went out again
into the other room, emptied the plate which held the
nails, and brought
it in.
"The glass is
full of um--
uh--" she said, coming back, "--mustard oil. Will you
drink water from
a cup, or--"
Trout-- While
we were eating
and even after we finished, the question of trout
remained uppermost in
Miss Pal's mind. Come what may, in the evening she would
cook trout. Because
of her insistence I had agreed to stay till the next
morning. Miss Pal
had left further decisions till then. She had to make
some additional arrangements
for the evening, because trout was not easy to get.
First of all, she needed
ghi;there
was only the barest trace of ghi in the tin.
There were no onions
or spices in the house either; nor did she have any
kerosene. After eating,
when we went out for a walk, she first took me with her
to the bazaar.
Even the shopkeeper had no ghi. Therefore, Miss
Pal begged the postmaster
to send her a pound of ghi from his house for
the evening, and the
next day she would bring some from Kulu and replace it.
She also asked
him to have some French beans sent to her from his house
and, if any fish
seller passed by, to buy her a full two pounds of trout.
"Mr.
Sabbarwal, I'm causing
you so much trouble!" she apologized, thanking him seven
or eight times
before leaving. "But you see, my guest has come, and
except for trout,
you can't get any delicacies here. I'll watch for Bali,
and if I see him,
I'll tell him to catch a trout for me from the river.
But Bali isn't reliable.
Please be sure and buy one for me. I've asked Mrs.
Atkinson as well. If
she gets one too, I'll just eat fish today and tomorrow
both. Please watch
carefully. Sometimes fish sellers don't shout, they just
go along quietly.
Thank you, thank you very much!"
/109/
She also telephoned
to Kulu about my luggage. Now, walking along the road,
she began discussing
the next morning's breakfast.
"For the
evening there will
be trout, but what should there be for breakfast in the
morning? Western
bread isn't available here, otherwise I would have made
you toast with
honey. Well, we.ll see--"
The road was
full of the
glare of sunlight, and a herd of sheep and long-haired
goats was moving
along in front of us. Two dogs, their tongues hanging
out, were keeping
watch over them. A jeep coming from up ahead caused a
tumult among the
animals. The goatherds began to push the animals toward
the mountain. A
lamb slipped and fell down the slope, raised its head
from below, and began
to bleat. When none of the goatherds paid any attention
to it, Miss Pal
became anxious. "Hey, look there, that lamb has fallen
down-- goat-herd--
a lamb has fallen down in the ditch! Get him out! Hey
there!"
There had
been rain the
day before; the Beas had risen quite a bit. Torn and
divided by sharp rocks,
the water was flowing noisily. Ahead was the swing for
crossing the river.
Its small wheels were revolving, the ropes were being
drawn together, and
the swing, carrying two individuals, was traveling from
the near bank to
the far one. Suddenly both passengers began to laugh,
"Hee-hee, hee-hee,"
as though they were teasing someone. Then one of them
sneezed loudly. The
swing reached the far bank, and both, laughing and
sneezing in that way,
got down. The swing was released and its ropes spread
out in a semicircle
from the near bank to the far one. The two who had
gotten down laughed
loudly once more from the far bank. Then a boy from
among the swing-pullers,
getting down from the swing-platform, came over to us.
He began to speak
as though some accident had just happened, and he was
getting out of the
way.
"Miss-sahab,"
he said, It's
that same Sudarshan who fed something to your dog. He
still hasn't given
up making trouble."
The laughter
and sneezing
of those two didn.t have the effect on Miss Pal that the
boy's words had.
Her face instantly paled and her voice became dry.
"He.s from
the village on
that side, isn.t he?" she asked.
"Yes,
Miss-sahab!"
"You tell the
postmaster.
He'll deal with this man himself."
"Miss-sahab,
he tells us
that this Miss-sahab--"
"You run
along now and do
your work," Miss Pal admonished him. "Tell the
postmaster; he'll straighten
this man out in one day!"
"But
Miss-sahab--"
"Go now. Come
over to my
house sometime to talk."
The boy
didn't understand
what offense he had committed by talking to the
Miss-sahab just then. Hanging
his head, he silently went back.
/110/
We remained
there for some time. Miss Pal, as though a bit tired,
sat down on a big
rock at the edge of the road. I began to contemplate the
rows of trees
on the far side of the river leading up toward the
mountaitop; between
blue sky and balloon-like white clouds, they seemed to
be drawn like lines.
On both sides of the river stood the slate-colored
pillars of a bridge,
but the bridge had not yet been built. From around the
pillars tiny bits
of dislodged earth were slowly falling into the river. I
shifted my gaze
to Miss Pal. She was watching me; perhaps she wanted to
discover what impression
the words of the swing-puller boy had made on my mind.
"Shall we go
on?" she asked
as soon as our eyes met.
"Yes. let's
go."
Miss Pal got
up. Her breath
was coming a little fast, and as we walked, she began to
tell me how very
superstitious the local people were. When Pinky had
gotten sick, the local
people thought that someone had fed him something.
"They're
illiterate people.
I didn't even contradict them. They can hardly abandon
their superstition
in a day! No telling how many years it'll take!"
As we walked
along, she
looked toward me from time to time to see whether or not
I believed her.
I picked up a small stone from the road and quietly
began to toss it around.
For some time we walked in silence. When the silence
began to seem unnatural,
I proposed to Miss Pal that we go back her house.
"Come on, I
must see your
newly-finished paintings." I said. "In these three or
four months you must
have done a good amount of work."
"When we get
home we'll
have a cup or two of tea first," Miss Pal replied.
"Really, right now I'd
give anything in the world for a hot cup of tea. I
wanted to have a cup
or two before leaving the house, but I thought that if
we delayed before
speaking to the postmaster, the fish seller might
leave."
Her words
gave me the pleasant
feeling that her first guest in three months was more
important to her
than even her paintings. On returning to the cottage,
she became absorbed
in making tea. She had been somewhat tired coming back;
during a very slight
ascent, her breath had begun to come fast. But she
didn't stop even a minute
to relax. Her absorption in tea seemed very unnatural to
me, perhaps because
I myself felt no necessity for it. She became as
concerned over the search
for spoons as if she had ten guests waiting for tea and
couldn't figure
out how to make all the arrangements quickly.
I began to
walk around,
looking at the pictures that hung in the room and on the
verandah. Whenever
a picture caught my eye, it seemed that I'd seen it
before. There were
some big pictures of a fair in the Punjab that Miss Pal
had painted and
brought back. There were strange faces about which we to
make sarcastic
remarks. No telling why Miss Pal always chose such
faces /111/
for her pictures, faces which were deformed in some way
or other! I went
all around the room and the verandah. Except for a
couple of half-finished
pictures, I saw not even one new thing. I went to the
kitchen and asked
Miss Pal where her new pictures were.
"Oh, forget
about it," Miss
Pal said washing the teacups. "After a cup of tea we'll
go for a walk on
the road uphill. There's a very old temple up there and
the priest will
tell you such stories that you'll be quite astonished.
One day he was telling
me that there are temples around here where people used
to pray to the
god for rain. Afterwards, if the god didn't send rain,
they took him to
the Hidamba Temple and hung him with a rope! Isn't that
a delightful idea?
If some god won't work for you, then hang him! I tell
you, Ranjit, among
the local people there's so much superstition-- so much
superstition that
it can't be described. These people still live just as
in the time of the
Kauravas and the Pandavas; they have no links with the
modern age."
Once more she
glanced at
me for an instant, then became absorbed in hunting for
the sugar. "Well,
where did the sugar go? Just now it was in my hand; no
telling where I
put it. Look how forgetful I've become! There's only one
cure: someone
should take a stick to me and straighten me out. Is this
any way to live?"
"You haven't
done any landscapes
around here?" I asked.
"I've started
a lot of pictures
but so far I haven't been able to finish them," Miss Pal
answered, as though
trying to extricate herself from a difficult situation.
"Someday now I'll
get involved and finish all the pictures. The turpentine
is gone too; one
day I must go and get some. For some time I've been
thinking that I'd go
to Mandi and bring back canvas and oils as well, but
somehow I just get
lazy. I must also have some drawing paper bound. Someday
soon I'll go and
do all the errands at the same time."
While she
spoke her eyes
had been lowered, as though in her heart she felt guilty
about something
and wanted to hide that feeling by talking incessantly.
I remained silent
and continued to watch her add sugar to the tea. Seeing
her then, I began
to feel such sadness-- the kind of sadness which fills
the mind on a desolate
seashore or in an isolated, rocky valley surrounded by
high mountains.
"Starting
tomorrow, first
of all I'll fix up my house." A moment later d she again
began to speak
in that way without stopping. "First of all I must
arrange everything in
the house in the proper way. You know how
enthusiastically I had crocheted
curtains made for my room in Delhi? Those curtains, just
as they were,
are shut up in a box here; I didn't feel like hanging
them. Tomorrow I'll
speak to the carpenter and have frames made for the
curtains. I also need
to keep a supply of food in the house; to have biscuits,
butter, bread,
and pickle is very important. The things that are
available in Kulu, I
can bring back and keep stored-- I can get turpentine in
Kulu too."
Even when she
put a cup
of tea into my hand, the words wouldn't come, and I
silently began to take
small sips. A kind of stupefaction beset my mind. In
Delhi people had told
me all those stories about Miss Pal-- while here, this
solitary irony of
her life!
/112/
Trout! Despite
all her efforts, Miss Pal couldn't get trout that day.
The postmaster said
the fish seller hadn't come at all. Regardless of Miss
Pal's abundant flattery,
the landlady's watchman, Bali, wasn't willing to catch a
trout from the
river. He said that he was polishing his nightstick and
had no time. Mrs.
Atkinson's children had caught a trout; but their father
had specially
asked for trout filet, so they couldn't give their fish
to Miss Pal. Yes,
the postmaster had certainly sent the French beans. Rice
and dry French
beans! All her enthusiasm for the evening meal suddenly
vanished. Her mind
was not on the cooking, so the rice got a little burnt.
At dinnertime her
regret was quite apparent.
"I'm so
ill-fated, Ranjit,
I'm ill-fated in every way," she said. After dinner we
had taken chairs
outside and were sitting in the field. With hands
propped behind her head
she was looking at the sky. It was a day or two before
the full moon and
the sky on three sides of us was pervaded by bright
moonlight. The sound
of the Beas was echoing in the air. Along with the
rustling of the trees,
a very slight rustling in the grass of the field made
itself felt. The
air was fresh, and from behind the mountain before us a
rising cloud was
slowly, slowly gliding toward the moon.
"What's the
matter, Miss
Pal? Why are you so sad?" I asked. "If the rice got a
little burnt, that's
hardly worth getting upset about!" She kept staring
ahead at the misty
outline of the mountain as though searching for
something.
"I think,
Ranjit, that my
life has no meaning at all," she said.
And she began
to tell me
the story of her early life. Her great grievance was
that from the beginning
she couldn't find happiness in her own home-- to the
point that she didn't
even have the love of her parents. Even her mother-- her
own mother-- didn't
love her. Therefore, she'd left home fifteen years ago
to take a job. "Just
imagine, mother didn't like even my presence in the
house. Father was annoyed
by my learning music; he used to say that his home was a
home, not a geisha
house. Whatever affection my brothers had for me was
snatched away as well
after they married. But one thing I know for sure: with
however much difficulty,
I have always preserved my um-- uh-- purity. You can
imagine how difficult
this is for a girl alone. I felt like visiting Lahore; I
wanted to do some
paintings of the city. But I didn't go because I felt
that against the
um-- uh-- bestiality of men, what could I do alone? Then
you know how the
people there in the department always said such awful
things about me.
That's the reason I hate every last one of them! That
Bukhariya, and Mirza,
and Joravar Singh! I never wanted even to drink a cup of
tea with such
people. You remember the time when Joravar Singh said to
me. .."
And she began
to recount
some insignificant event at the office. When I saw that
she was again absorbed
in that atmosphere and burning with anger, I told her
once more not to
think about the office people any more, but to
concentrate instead on her
music and painting. "Stay here and do some good
paintings, then come to
Delhi and have your own exhibition," I said. "When
people see your work
and hear your name, /113/ they'll appreciate
your merits of
their own accord."
"No, I won't
fall into any
round of exhibitions and such," Miss Pal said, staring
straight ahead as
before. "You know how much politics is involved in all
these things. I
don't want to deal with politics. I have three or four
thousand rupees
on which I can live for a long time. When this money is
gone, then--" and
she became quiet, as though deep in thought.
I was very
curious to hear
her go on. But after a while Miss Pal shrugged her
shoulders and said,
"--then something or other will happen. Let the time
come, and we.ll see."
The cloud was
ascending
and the coolness in the air was increasing. The gusts of
wind coming from
the forest sent a shiver through my body from time to
time. In the next
cottage a radio was playing western songs. In the
cottage next to that
people were laughing loudly. With her eyes shut, Miss
Pal began to tell
me how in Hoshiarpur she had had her horoscope read from
the Bhrgu-samhita.
According to the horoscope, a curse had been put on her
in this birth;
she would never find happiness-- not from wealth, not
from fame, not from
love. The reason for this curse was also given in the Bhrgu-samhita.
In her previous birth she was a beautiful girl, very
skilled in dance,
music, and the other arts. Her father was very wealthy
and she was his
only child. The man whom she married was quite handsome
and rich. "But
I was so vain of my beauty and artistic skills that I
didn1t show my husband
any respect; after a time the poor man became very
melancholy and passed
away. Therefore, the curse is on me; in this birth I
will not find happiness."
I continued
to look at her
in silence. Earlier in the day she had mentioned the
local people's superstitions
and made jokes about them. Suddenly, in the midst of
talking, she too fell
silent and her eyes became fixed on my face. It seemed
as though something
was trembling between her brightly painted lips. For a
time we sat in silence.
The cloud had spread over the moon and deep darkness
enveloped us. Suddenly
the lights in the next cottage were extinguished as
well, so that the darkness
began to seem even blacker and deeper.
Miss Pal was
still looking
at me in the same way. I felt that the air around me was
becoming heavy;
I pushed my chair back and stood up abruptly. "I think
enough of the night
has gone by," I said, "so let's get some sleep now. We
can talk more in
the morning."
"Yes," she
said getting
up from her chair. "I'll go and fix some bedding for you
right away. Tell
me, shall I put your bedding on the verandah or--"
"Yes, put it
on the verandah.
Inside it'll be quite warm."
"But listen,
it gets cold
at night."
"No matter, I
like the breeze
out here."
Lying on the
verandah, I
looked out through the lattice for a long time. The
cloud had spread over
the whole sky and the voice of the river seemed
/114/ to have
come very close. A spider web attached to the lattice
was swaying in the
breeze. Nearby a mouse was gnawing on something. Within
the room I could
hear the sound of tossing and turning from time to time.
"Ranjit!"
When the voice
from inside came, it sent a shiver through my whole
body.
"Miss Pal!"
"You aren't
feeling cold?"
"No, I like
the breeze."
And then big raindrops began to fall, tap-tap-tap-tap.
When they reached
my bedding, I changed its position. I had put the
verandah light on, and
all kinds of things scattered here and there met my
gaze. When she spread
out my bedding, Miss Pal had created even more disorder
in her house. Near
me a three- legged table was lying overturned, and a
little in front of
it some picture frames had fallen, blocking the way. In
the corner Miss
Pal's brushes and clothes were jumbled together in a
heap.
The cot
inside creaked,
and the sound of feet on the wooden floor could be
heard. Then came the
sound of water being poured from a water pot and drunk
from a cupped hand.
"Ranjit?"
"Miss Pal!"
"You.re not
thirsty?"
"No."
"All right,
go to sleep."
For some time
I seemed to
hear rapid breathing nearby, which slowly, imperceptibly
came to dominate
the whole atmosphere; it seemed that everything around
me felt its oppression.
When the rain began to fall more gently, I again moved
back toward the
lattice and began to look out as before. Then, very
near, the sound of
something falling with a clash was heard.
"What fell,
Ranjit?" came
the voice from inside.
"I don't
know; maybe a mouse
knocked something over."
"Really, I've
been bothered
a lot by mice here."
I remained
silent. The cot
inside creaked again.
"All right,
go to sleep!"
/115/
All night the
rain kept falling. Early in the morning the rain stopped
but the sky didn't
clear. After getting up, Miss Pal and I said nothing
much until time for
tea. Even when the tea was ready, Miss Pal continued to
speak in monosyllables.
I told her that I'd be leaving on the first bus; not
even once did she
press me to stay. Even in the most commonplace talk Miss
Pal used as much
formality toward me as in speaking to a complete
stranger. Her entire behavior
struck me as very unnatural. As though to avoid
conversation, she became
absorbed in the smallest tasks. I tried a couple of
times to make some
light joke so that the tension would be broken and I
could take my leave
properly, but not even the slightest smile appeared on
Miss Pal.s face.
"All right,
Miss Pal, now
we must think about going," I finally said. "Yesterday
you were saying
that you'd come to Kulu with me. It's a good idea,
because you can bring
back all the things you need from there as well. Later
you'll get lazy
again."
"No, I won't
get lazy,"
Miss Pal said. "One day I'II go and bring back whatever
needs to be brought."
Then, blindly
picking up
the clothing scattered on the verandah and putting it
here and there, she
said, "It.s too rainy to go today. Tomorrow or the day
after tomorrow sometime;
I'II see. There are a great many things to bring back,
so I should plan
it out carefully and then go. Today is too foggy, so not
today."
"If it's a
foggy day, does
that mean you can't get the things for your house?" I
asked, trying to
weaken her resolve by my persistence. "You tell me where
the ghi
and turpentine tins are kept. If there's a big sack
around, take that with
you too; odds and ends can go in it. Whatever bus we can
get from here,
we'll take together. I'll catch the twelve o'clock bus
from Kulu and go
on. When you want to come back, you can get a bus any
time during the day."
I
deliberately spoke as
though Miss Pal's going was already decided, though I
knew that she would
try hard to avoid it. Miss Pal was searching here and
there, finding work
for herself to do. From her face I gathered that my
conversation was entirely
meaningless to her and that she wanted to return to her
solitude as quickly
as possible.
"Look,
sometimes you can't
even get a single seat in the bus from here," she said.
"Getting two seats
would be very difficult. Why should you miss your twelve
o'clock bus for
my sake? You go on; I'II go tomorrow or the next day and
bring whatever
needs to be brought." As though suddenly remembering
some task, she quickly
turned her face aside and went into the other room.
After a while she came
out carrying a moth-eaten petticoat. She threw it in a
corner. Setting
her face as though against some pain, she spoke with
difficulty. "I told
you that you should go. You know that even by myself I
need two seats."
"Forget all
those excuses,"
I said. "If there's no space in one bus, there will be
in the next. Come
here and tell me where those tins are kept."
Perhaps
because she didn't
want to talk any more, Miss Pal made no further
opposition. "All right,
you sit down; I'II look for them right away," she said;
avoiding my eyes,
she went into the kitchen.
/116/
On the first
bus we really didn't get a place. The driver didn't even
stop; he made
a sign with his hand that there was no room in the bus.
There wasn't room
in the second bus either, but somehow we talked our way
inside and got
space. We arrived in Kulu fairly late, since the night's
rain had washed
out the road in one place and it was being repaired. The
twelve o'clock
bus from Manali pulled in at almost the same time. It
was already quarter
to twelve. I went in and gave directions about my
luggage, then joined
Miss Pal outside. Miss Pal was holding the empty tins in
both hands; when
I began to take the tins from her, she put her hands
behind her.
"Come on,
first let's go
to the bazaar and buy your things," I urged.
"Forget the
things," she
said. "Your bus has come, you get on it; I can buy these
things any time.
You won't get a place on any bus after this one. The two
o'clock bus comes
full right from Manali. Your whole day will be wasted
here."
"If the day
is wasted, what
does it matter?" I said. "First, we'll go and get the
things from the bazaar.
If I really don't get a place in any bus today, then
I'II go back with
you and take a bus tomorrow. I'm not in such a hurry to
get back."
"No, you go
on," Miss Pal
replied obstinately. "Why should I cause you trouble? I
can get my things
any time."
"But I think
that today
you'll go back carrying these tins just as empty as they
a re now."
"Oh, no."
Miss Pal's eyes
filled and she looked away to hold back her tears. "You
think I don't even
take care of my own body. If I didn't, would my body be
like this? Come
on, give me the money. I'II get your ticket. If you
delay, you won't even
get a place on this bus."
"Why are you
insisting like
this, Miss Pal? Really, I'm not in any such hurry to
go," I said.
"I told you,
get out the
money. I'II get your ticket. But no, forget it. Your
ticket yesterday was
wasted on my account, so why am I asking you for money?"
Putting the
tins down, she
immediately started for the ticket office. "
Wait, Miss
Pal!" Embarrassed,
I reached for my wallet.
"You wait,
I'm coming in
a minute. While I'm gone, have your luggage brought out
and loaded on the
bus." No telling what state my mind was in then; but I
had my luggage brought
out from inside and loaded onto the roof of the bus.
Miss Pal was still
standing outside the ticket office.
Because it
was Saturday,
school had been let out early and a number of children,
their satchels
dangling, were coming down the hill from Sultanpur. Some
children had collected
nearby to watch the bus passengers. Miss Pal was wearing
an onion-colored
shalwar-kamiz at the time, with a black dupatta above.
Because of that
outfit, her body from behind looked even wider.
The /117/ children,
one after the other, began to approach the ticket
office. Miss Pal was
bending over the ticket window. A boy slowly spoke up.
"It's a freak; look,
it's a freak!"
At this, a
number of children
standing nearby laughed. I felt as though someone had
piled one more big
stone on my heavily-weighted mind. The children had all
collected near
the ticket office and were whispering among themselves.
I couldn't even
say anything to them, because that would certainly have
drawn Miss Pal's
attention. I shifted my gaze and began to watch the
people coming from
the river. Nevertheless, the children's whispers kept
reaching my ears.
Two girls were speaking very softly to each other.
"It's a man."
"No, it's a
woman."
"Look at the
hair, look
at the rest of the body. It's a man."
"You look at
the clothes,
look at everything. It's a woman."
"Come here,
children, come
here and look." I was almost startled by Miss Pal's
voice. Having gotten
the ticket, Miss Pal had left the window.
The children,
seeing her
coming, called out "She's coming, she.s coming!" and ran
away. One boy,
facing her on the road, again called out loudly, "It's a
freak; look, it's
a freak!"
Miss Pal
reached the road
and took a few steps in pursuit. "Come, children, come
here to me," she
kept saying. "I won't beat you; I'll give you toffee.
Come here--"
But instead
of coming to
her, the children ran away further. Miss Pal stood for a
while in the middle
of the road, then returned to me. The expression on her
face was very strange.
Tears had filled her eyes and were on the verge of
falling; to belie them,
she was trying to manage a weak laugh. No telling how
much she had bitten
her lips-- in several places her lipstick had been
smudged. The seams of
her faded kamiz were ripping open near the shoulder.
"Those were
beautiful children,
weren't they?" she said blinking so as to hold back the
tears.
When I nodded
agreement,
I felt that my head had become heavy like stone. After
that I didn't understand
anything Miss Pal was saying to me or what I was saying
to her. It was
as though thoughts had no connection with eyes and
words. I remember this
much-- I tried to give Miss Pal money for the ticket but
she backed off
and, despite all my entreaties, wouldn't take it. But
what unconscious
process kept the thread of conversation unbroken between
us, I don't know.
My ears were hearing her speak and hearing myself speak
also. The voices
were like sounds from far away-- indistinct, indefinite,
meaningless. The
words I heard clearly were these, "And when you get
back, Ranjit, don't
talk to anyone in the office about me. Do you
understand? You know how
low those people are. Instead, it would be better if you
didn't /118/
even tell anyone you met me here. I don't want anyone at
all there to know
anything or say anything about me. You understand."
Then the bus
was starting
and I was looking out the window at Miss Pal. As the bus
pulled away, she
began to wave. She had both empty tins in her hand. I
waved back to her
once; and until the bus turned, I kept seeing the empty
tins waving in
her hand.
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