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maar marnaa : 'To smite oneself and die,' to commit suicide; —to slay (some of the enemy) and die, to do and die'. (Platts p.980)
:zaahir-daar : 'Specious, plausible, showy, ostentatious; pretentious; ceremonious, formal'. (Platts p.755)
:zaahir : 'Outward, exterior, external, extrinsic, exoteric; appearing, apparent, overt, open, perceptible, visible, perceived, plain, evident, manifest, conspicuous, ostensible; —the outside, the external appearance; the external, or outward, or extrinsic state, or condition, or circumstances'. (Platts 755)
FWP:
SETS == NEIGHBORS
MOTIFS == VEIL
NAMES
TERMSThis verse is apparently spoken by a concerned person who fears that 'Mir' might kill himself either 'over' the beloved's veil, or 'at, before, in front of' the beloved's veil. The contrast between such an overt, ultimate, highly visible deed on the one hand, and a (symbolic or real) emblem of privacy on the other, is piquant in itself.
But then the word :zaahir-daar adds marvelously to the complexity. Most of its meanings, after all, are negative (see the definitions above). What are we to make of that fact? Here are some possibilities:
=The speaker doesn't know 'Mir' very well, and misunderstands his (seemingly or genuinely) crazy motivations and behavior.
=Mir has a great regard for 'outward' things like her veil (which is all that's visible of her), and thus might indeed commit the 'ostentatious' deed of killing himself before the veil, out of admiration for its beauty.
=Mir has a great regard for 'manifest, conspicuous' behavior, and thus to openly display his devotion might kill himself right before the beloved's (veiled) eyes, so that she would see him do so.
=Mir has a great regard for 'plain, perceived' behavior, and thus might kill himself as a frustrated protest against her literal veiledness and/or her metaphorical unavailability.
= Mir has a great regard for 'ceremonious, formal' behavior, and thus might respond to her 'ceremonious, formal' public veiledness not with pleas or laments or moans and groans, but only with an overt, formal, final deed.
Since we don't know what Mir is actually thinking or feeling-- and since even our second-hand information is hypothetical and filtered through the viewpoint of a perhaps unreliable observer-- we really have a wide range of interpretive choices for the lover's behavior. Or rather, his non-behavior-- for so far, he apparently hasn't done anything at all.