NOTE: Because this index could potentially become HUGE, everything has been kept simple. Only some prominent examples of each term have been indexed, not every single occurrence. The sign [ ??
] will take you to the corresponding entry in the Ghalib 'Terms' index,
or sometimes elsewhere, for further information. An asterisk marks verses and/or commentary of special interest.
'affair-evocation' [mu((aamilah-bandii]
== {183,12}; {313,1}; {381,1}; {605,6}; {667,16}; {897,1}; {950,5}; {1015,1}; {1494,2}; {1506,1}; {1507,5}; {1590,3}; {1681,3}; {1761,2}
affinity [munaasibat] -- [ ?? ] == SRF essay; {2,5}; {7,2}; {12,4}; {12,6}** {17,1}; {20,1}*; {20,3}; {31,2}; {36,3}; {58,5}; {60,1}; {70,4}; {74,2}; {99,2}; {109,2}; {128,8}; {144,1}; {178,4}; {263,1}*; {352,2}; {377,20}; {423,11}; {471,3}; {471,7}; {485,3}; {611,3}**, vs. wordplay; {667,4}; {668,3}; {693,1}; {710,11}; {863,1}*; {869,5}**, definition; {875,9}; {910,4}*; {944,1}; {1162,2}*; {1176,2}*; {1176,5}*; {1176,9}; {1177,4}*; {1213,1}*; {1230,2}; {1243,1}; {1317,4}; {1330,2}; {1333,1}; {1337,3}; {1444,7}**; {1501,5}; {1536,5}; {1542,5}; {1574,2}; {1688,4}; {1719,1}, of meaning; {1806,2}*
allegory [tam;siil] == {29,3}*; {239,1}; {1337,2}; {1450,1}
ambiguity [ib'haam] == {14,4}; {31,6}; {70,6}; {76,3}; {100,5}; {144,10}; {217,1}*; {293,12}; {324,2}; {328,1}; {352,2}; {381,9}; {421,2}; {423,11}; {472,1}; {485,3}*; {617,5}*; {668,3}**; {694,3}; {722,10}; {736,3}; {745,7}; {932,3}*; {944,1}**; {958,2}*; {1027,11}**; {1052,7}*; {1056,6}; {1076,4}; {1094,3}; {1112,7}*, extreme; {1177,5}; {1202,5}; {1223,1}*: {1230,5}; {1336,7}; {1457,1}; {1494,2}*; {1501,1}; {1526,4}*; {1533,4}*; {1545,2}; {1582,5}; {1595,7}*; {1620,3}; {1658,2}; {1714,8}; {1761,2}*; {1779,13}*; {1882,4}
closing-verse
[maq:ta((] -- [ ?? ] == SRF essay ; {256,1}, lacks one
coincidence [tavarrud] == {324,1}**; {483,2}; {484,1}; {605,1}; {686,9}; {896,11}collecting and scattering [laff-o-nashr] -- [ ?? ] == {366,8}; {602,2}; {1328,3}
connection [rab:t] -- [ ?? ] == {23,1}**; {108,6}; {233,16}; {256,3}*; {292,6}; {377,20}; {429,8}, in verse; {438,4}, lacking; {481,2}, among verses; {602,6}*; {760,9}}; {897,1}; {930,9}; {1103,3}; {1176,9}; {1177,7}, lacking; {1325,3}**; {1537,1}; {1554,1}; {1791,3}; {1836,1}, do-la;xt ;
correction [i.slaa;h] == {1050,7}*
dastan [daastaan] -- [ ?? ] == See also *tilism. == {122,2}; [{257,4}]; {257,5}; [{320,1}]; {321,4}, ((ayyaar ; {350,8}*; {354,3}*; {551,1}; {669,2}; {693,4}; {952,6}; {1056,3}; {1120,1}; {1314,9}; {1327,5}; {1341,1}
'delicacy of thought' [naazuk
;xayaalii] -- [ ?? ] == SRF essay,
with def.; {95,11}*; {120,2}; {203,5}; {302,2}; {389,7}; {602,11}*, Mir claims it; {695,6}; {710,11}; {759,5}; {817,10}; {977,3}; {1205,5}
device [.san((at, tarkiib] == {97,2}; {736,1}**, causing a second look;{1779,5}** == the device of 'doubt about derivation' [shubh'h-e ishtiqaaq]: {220,3}; {421,1}; {724,1}; {724,5}; {745,6}; {1174,6}; {1236,1}; {1419,3}; {1421,1}; {1526,2}; {1725,3} == See also 'collecting and scattering'.
disconnected [do-la;xt] == {350,8}; {938,1}; {1836,1}; {1886,4}
divan [diivaan]
-- [ ?? ] == {3,4}, in verse; {23,7}**; {108,8}; {788,5}; {1342,2}*
double-ghazal [do-;Gazlah] == {99,1}; {291,5}, chau-;Gazlah ; {377,1}; {472,1}; {509,1}**; {538,11}, linking explicitly to {539}; {874,2}; {1219,1}; {1236,1}**; {1237,2}; {1299,8}, introduces {1300} to come; [{1658,1}], on the ((ishq pair
dramaticness [;Draamaa))iyat] == {7,1}**, def.; {11,3}; {23,7}; {39,3}; {46,4}; {64,12}; {75,2}; {89,12}; {97,2}; {126,1}; {126,2}; {144,7}; {183,12}; {203,1}; {226,4}; {267,3}; {276,4}; {314,6}; {546,3}, insha'iyah; {693,1}; {731,4}; {760,9}; {770,5}; {892,3}, and the need for the perfect word; {896,11}; {919,5}; {922,5}; {946,3}; {1024,4}; {1041,4}; {1067,5}; {1094,11}; {1123,7}; {1206,1}, 'over-dramatized'; {1264,5}; {1297,2}; {1320,2}; {1341,5}; {1370,2}; {1507,5}; {1589,1}; {1589,2}; {1589,9}; {1595,5}*; {1646,3}, with def. of 'narrativity' [ma;haakaat]; {1741,3}*; {1791,1}, 'self-dramatisation'; {1800,4}; {1806,2}
elegance in assigning a cause [;husn-e ta((liil] -- [ ?? ] == {114,1}; {377,15}; {544,9}; {1112,7}, ambiguous; {1237,5}; {1337,3}
elegy [mar;siyah] -- [ ?? ] == SRF essay; {107,6}; {350,8}; {949,1}; {949,10}*; {1111,1}
entanglement [ta((qiid] == {54,5}, mu((aqqad (with enjambment); {109,8}, ta((qiid-e laf:zii ; {183,12}, mu((aqqad (with enjambment); {380,1} ta((qiid-e laf:zii ; {1264,1}, ta((qiid-e ma((navii ; {1723,1}**, long discussion
faux-naïf [attitude] [tajaahul-e ((aarifaanah] == {336,2}; {694,3}; {1050,5}; {1226,5}; {1350,2}; {1741,3}; {1757,1}
flowingness
[ravaanii] -- [ ?? ] == SRF essay; [{25,9}]; {96,1}; {183,12}; {266,1}; {318,1}*; {321,3}*, in verse; {350,8}; {451,1}; {897,1}*, whole ghazal; {949,1}**; {1056,7}; {1080,5}; {1176,1}; {1370,2}; {1480,1}; {1502,1}*, whole ghazal; {1537,1}; {1582,1}; {1624,1}
fresh word [laf:z-e taazah] -- [ ?? ] == {124,2}; {263,1}; {263,7}; {263,8}; {263,9}; {268,1}; {322,7}; {420,5}; {435,2}; {456,8}; {471,1}; {485,2}; {543,6}; {584,3}**; {611,3}; {700,12}; {711,5}; {734,7}; {770,7}; {817,1}; {877,1}; {904,5}; {1047,10}; {1109,4}; {1112,2}; {1193,5}; {1213,1}; {1256,5}; {1582,1}; {1896,1}; {1903,1}
ghazal [;Gazal] == {2,5}, in verse; {263,9}* kamaal vs. ;hikmat ; {377}, very long, 24 vs.; {435,1}; {804}, longest, 32 vs.; {902,9}; {910,1}, 'continuous' ; {930,1}, unusual introductory verses; {949,1}*, unified by 'mood'; {1120,1}, unlimited domain; {1451,1}; {1589,1}*, on 'musically unified' ghazals; {1658,1}, 'continuous'; {1791,1}, 'continuous'?
ghazal 'on' a ghazal [;Gazal par ;Gazal] == {297,7}; {320,1}*; {483,2}; {594,5}; {605,1}; {686,9}; {1243,5}
ground [zamii;N] -- [ ?? ] == {2,5}, in verse; {48,7}; {96,6}; {99,1}; {122,2}; {126,1}; {233,8}; {276,1}, ; {302,2}; {320,1}*; {377,1}*, discussion; {420,8}*, a bland one, no refrain; {874,3}; {1056,7}**; {1160,4}, a favorite one; {1174,1}, a superb one; {1236,10}, hinge of a do-;Gazalah ; {1646,1}***, SRF on 'difficult' grounds; {1791,1}
hyperbole [mubaala;Ghah] == {203,5}; {314,6}*; {320,2}; {423,12}**, basis of metaphor and simile; {1420,7}; {1506,1}, our specialty; {1646,3}; {1791,1}
idiom [mu;haavrah] == {99,5}; {224,1}, {183,14}; {224,1}; {226,2}; {297,1}; {313,7}*; {321,4}; {324,2}; {336,2}; {408,7}; {346,12}*, invented; {483,1}; {502,4}; {770,7}; {867,9}: {907,1}; {909,4}, proverb; {920,2}*, obscure; {921,1}, rozmarrah in refrain; {938,3}; {1088,9}, kahaavat ; {1091,1} , kahaavat ; {1091,4}; {1094,2}; {1103,3}; {1158,2}; {1164,6}; {1176,9}; {1185,2}; {1236,4}; {1237,2}*; {1341,7}; {1681,7}; {1706,6}; {1746,1}; {1852,1}
iham [iihaam] -- [ ?? ]
== SRF essay; {3,4}; {49,3}; {107,1}*; {108,6} [with kyaa]; {122,3}; {122,9}; {126,2}; {129,2}; {178,1}**; {296,5}; {313,8}**, in Abru's verse; {336,2}**, major discussion by SRF; {346,12}*; {354,4}; {611,3}**, of sound; {689,2}; {736,1}**; {736,3}; {736,14}; {745,1}; {774,6}**, of sound, unusual; {844,9}, of sound; {1052,1}; {1091,4}; {1098,2}*; {1109,1}, of sound, of affinity; {1109,2}; {1123,2}; {1139,1}*; {1158,2}, of affinity; {1160,5}, of sound; {1185,2}; {1574,6}; {1577,3}*; {1579,4}; {1586,5}; {1706,5}, of sound; {1723,1}, based on word order; {1807x,1}**; {1836,8}, based on word order; {1853x,2}
implication
[kinaayah] -- [ ?? ] == SRF essay; {7,7}; {15,9}; {23,7}; {25,4}*; {28,5}; {45,2}; {45,6}; {54,9}; {70,9}*; {71,4}; {89,12}*; {95,1}; {97,2}; {97,7}; {101,9}; {103,7}; {109,3}; {115,1}; {121,2}; {126,1}; {129,2}; {174,6}*; {183,16}*; {203,1}; {226,4}; {226,9}; {236,7}; {256,5}*; {297,4}; {459,3}*; {543,1}*; {686,3}; {689,3}; {775,5}**; {847,1}; {930,2}; {983,3}*; {1058,7}; {1067,5}; {1200,7}; {1318,2}; {1341,2}; {1370,5}; {1373,5}; {1374,1}; {1420,7}; {1457,5}*; {1459,9}*; {1496,4}**; {1537,5}*; {1548,1}; {1574,2}; {1579,2}* def.; {1589,1}; {1590,3}; {1624,3}; {1627,5}; {1663,7}*; {1683,5}; {1800,4}; {1850,3}*; {1851,8}
incorporation [ta.zmiin] == {471,3}; {1223,1}
individual verse [fard] -- [ ?? ] == {371,1}***, with discussion and list; {375,1}
insha'iyah [inshaa))iyah] -- [ ?? ] == {7,8}; {25,9}**; {31,6}; {60,8}; {96,7}; {97,2}; {115,1}; {128,8}; {183,5}; {276}*; {396,9}; {408,1}; {517,9}; {553,4}; {584,3}, vs. ;xabariyah ; {667,1}, vs. ;xabariyah ;{668,3} vs. ;xabariyah ; {686,5}; {731,4}, vs. ;xabariyah ; {745,1}*; {760,1}; {851,1}; {860,12}; {885,5}*; {892,9}; {920,2}*; {1039,5}**; {1050,2}; {1226,5}; {1232,2}*; {1373,4}, creative inclusion of ;xabariyah ; {1444,7}; {1457,3}; {1460,6}*; {1471,6}; {1595,5}; {1714,9}; {1722,5}
intikhab [inti;xaab] == A subset of poems chosen from a poet's divan. == SRF
essay; {101,7}; {485,5}**, in verse; {543,1}; {1123,1}; {1502,1}**; {1589,1}
izafat [i.zaafat] == {15,5}, omitted [;hazaf]; {126,5}*, omitted; {256,1}, omitted; {256,4}, implied [fakk]; {296,12}*, reversed [maqluubii]; {318,2}, reversed; {366,1}, omitted; {481,4}, reversed; {483,3}, reversed; {722,10}, omitted; {877,5}*, reversed; {949,5}, omitted
kulliyat [kulliyaat] -- A poet's complete works in all poetic genres. Within 'A Garden of Kashmir', 'kulliyat' will refer to the Abbasi-Mahfuz edition. == SRF
essay; {23,7}; {543,1}
line [mi.sra((] == {485,9}, mi.sra(( lagaanaa ; {650,1}; {910,2}, mi.sra(( lagaanaa
masnavi [ma;snavii] -- [ ?? ] == SRF essay; {97,7}; {100,6}; {480,6}; {907,4}
meaning [ma((nii] == {84,4}**; {178,4}; {265,5}*; {307,3}, pluralization; {346,12}, 'a fine verse has none' (Bedil); {366,4}; {421,2}**, Jung (?) and discussion; {429,7}; {601,1}; {847,11}*, a famous verse with almost none; {1047,10}*
meaning-creation [ma((nii aafiriinii] -- [ ?? ] == SRF
essay, with def.; {19,4}; {42,4}; {84,4}**; {128,8}; {138,1}; {178,1}; {213,2}; {239,7}; {256,1}*; {263,2}; {263,9}; {276,2}; {302,3}; {313,1}; {318,2}; {318,7}; {336,2}*; {354,1}*; {381,1}; {421,2}, Jung (?) and discussion; {438,4}; {441,7}; {451,3}; {611,1}; {667,11}**; {724,1}; {863,1}*; {1039,1}**; {1039,3}; {1050,7}**, with quote from Ghalib; {1123,5}*; {1162,2}; {1163,13}; {1205,5}; {1230,1}; {1231,5}; {1460,1}*; {1501,1}; {1554,1}; {1658,1}; {1683,1};
meaning-play [ri((aayat-e ma((navii] -- [ ?? ] == SRF essay, with
def.; {11,4}; {610,7}; {930,9}; {931,11}; {1076,4}; {1237,4}; {1312,11}; {1779,13}
metaphor [isti((aarah] -- [ ?? ] == {21,1}; {25,4}*; {70,1}*; {96,8}; {100,5}; {120,2}; {263,5}, 'inverted metaphor' [isti((aarah-e maqluub]; {267,3}, better than simile; {297,2}, 'reversed metaphor' [isti((aarah-e ma((kuus]; {299,13}; {313,7}, 'reversed'; {314,6}, based on hyperbole; {321,4}; {423,12}, founded on hyperbole; {344,5}, 'reversed'; {377,19}*; {388,7}**, based on experience; {471,1}, metaphorical meaning crucial to pleasure; {485,9}, basis of a good image; {502,4}, 'reversed'; {528,1}, 'reversed'; {558,5}**, vehicle greater than tenor; {695,6}; {847,11}*; {938,3}, 'reversed'; {938,4}, 'reversed'; [952,6}, 'reversed'; {1039,1}**, made into reality as basis of theme; {1098,2}*, discussion; {1101,4}; {1162,2}; {1163,13}*, complexities; {1176,2}; {1206,9}, discussion: 'tiger' frightens 'flood'; {1239,4} lit. and met. both proved; {1314,9}; {1450,6}**, 'substitution'; {1506,6}, 'reversed'; {1574,6}; {1579,1}, back and forth between levels; {1681,7}, 'reversed'; {1719,1}, 'abstract metaphor' [tajriidii isti((aarah]; {1768,4}, 'reversed'; {1882,2}, weaker than simile; {1886,4}, 'reversed'
meter and metrical
terms -- see *Mir's meters*;
for more general information, see *Urdu
Meter: A Practical Handbook* == {45,2}; {265,5}; {383,6} 'improper breaking'; {420,1}, good 'setting' (foot breaks = word breaks); {451,1}; {482,2}; {485,9}, rhythmic effects; {729,4}*; {887,1}, 'Hindi meter' possibilities; {897,1}; {1056,3}; {1079,6}*, 'informal' scansion of Jahanabad; {1123,2}; {1177,5}, on Hindi meter; {1177,7}, problem; {1219,5}, 'rare instance of Mir lapsing into 32 matras' (--SRF, Sept. 2018); {1256,5}, subtleties of 'Mir's meter'; {1298,1}, gire;Nge as - - = ; {1407,1}, myaa;N ; {1480,3}, on 'Hindi' meter; {1493,1}, foot correspondences; {1537,1}; {1537,4}*, rangii;N as = - ; {1590,1}*; {1624,1}**, on 'Hindi meter'; {1632,1}, nah as long; {1646,1}; {1650,3}, 'Hindi' meter; {1717,1}, word-grafting with ;haal hameshah (SRF: 'Mir and his contemporaries do this kind of thing occasionally'); {1722,6}, rare metrical trick; {1742,2}, nah as = ; {1768,1}, short one well used; {1768,7}, an example of ; {1772,6}, an example of; {1791,1}; {1806,1}; {1836,1}, use of foot boundaries; {1913,2}, on #22
mood [kaifiyat] -- [ ?? ] == SRF essay,
with def.; {3,4}; {3,8}; {15,9}; {17,1}; {19,4}; {28,5}; {60,4}; {64,11}; {64,12}*; {70,1}; {74,11}, mysterious; {84,4}**; {88,3}*; {106,8}; {178,4}; {213,2}; {233,8}; {265,5}**; {292,6}; {296,1}; {302,3}; {309,2}; {314,6}; {318,3}*; {321,1}; {321,9}; {322,7}; {330,7}; {346,12}, Bedil quote; {381,9}**; {387,7}; {401,3}; {421,2}*; {429,7}; {435,2}*; {438,4}; {451,3}; {459,3}; {543,7}; {545,10}**, dangers of; {594,5}; {605,5}; {667,11}*; {684,5}; {700,11}; {721,11}; {724,2}**; {757,2}; {760,10}; {817,10}; {844,6}; {847,4}; {847,9}; {847,11}*; {885,4}*; {930,9}*; {949,1}**, a whole ghazal full of it; {957,7}; {1001,9}; {1005,13}; {1047,11}*, 'one of best'; {1050,5}; {1056,7}; {1088,2}; {1101,4}; {1103,7}; {1230,1}*; {1333,1}; {1336,7}; {1337,5}; {1341,7}; {1446,5}*; {1480,2}; {1548,1}; {1554,7}; {1574,2}; {1627,5}; {1646,4}*; {1683,5}; {1714,6}; {1736,1}; {1740,1}; {1757,2}; {1807,2}; {1851,8}; {1882,5}; {1886,4}*, 'emotional effect'
musalsal [musalsal] == See *verse-set.
narrativity [ma;haakaat] == {383,7}; {892,3}*, and the need for the perfect word; {1219,3}; {1646,3}*, speaker's viewpoint
nazm [na:zm] == {178,4}; {528,1}; {1624,1}; {1851,9}
ode [qa.siidah] -- [ ?? ] == SRF essay; {100,7}; {1230,2}
opening-verse
[ma:tla((] -- [ ?? ] == SRF essay; {69,1}*, with list of mediocre baraa-e bait verses; {256,1}, contains pen-name; {268,1}; {321,1}; {485,1}; {774,2}, opens with 2; {874,2}, opens with 2; {930,1}**, on ;husn-e ma:tla(( ; {944,2}, example of ;husn-e ma:tla(( ; {1050,2}, opens with 3; {1094,2}, opens with 2; {1781,1}, example of ;husn-e ma:tla(( , also called zeb-e ma:tla((
opposition [ta.zaad] == {21,2}**; {45,1}; {58,7}; {64,6}; {220,5}; {309,16}; {867,8}; {892,1}; {897,6}; {1328,1}; {1374,7}; {1781,4}
padding [bhartii] == {3,1}; {99,4}; {100,5}; {236x,3}; {292,6}*; [{689,2}]; {874,4}; {909,4}*, two kinds; {1471,6}**, ;hashv ; {1794,4}
paradox [qaul-e mu;haal] == {25,9}; {26,6}; {69,2}; {69,7}; {178,3}; {423,11}**; {481,1}; {509,9}; {605,5}; {611,1}; {740,3}; {817,1}; {844,9}; {847,11}; {887,2}; {1040,1}**; {1059,8}; {1176,5}; {1176,9}; {1193,5}; {1223,5}; {1243,5}; {1296,7}; {1480,3}; {1507,2} (?); {1586,5}; {1679,9}; {1864,5}; {1871,7}*
pathos [dard-o-gudaaz] == {7,10}; {102,3}; {785,6}; {851,5}**
pattern [:tar;h] == {276,1}; {309,1}; {568,4}; {1177,7}
pen-name [ta;xallu.s] == {16,1}, there too; {23,1}, there too; {65,9}, there only; {151,1}, there only; {156,1}, there only; {176,4}, there only; {183,16}, nice use; {203,16}, there only; {232,7}, there too; {233,13}, there only; {256,1}, there only; {277,8}, there only; {299,12}, there too; {321,7}, there only; {327,5}, there too; {403,1}, there too; {424,12}, there only; {438,1}, there too; {439,1}, there too; {448,1}, there too; {451,1}, there only; {455,9}, there instead; {457,4}, there instead; {471,2}, too; {485,9}*, poetic effect; {508,9}, there only; {509,1}; {509,10}, there only; {523,1}, there too; {546,1}, there only; {564,1}, there too; {583,19}, there only; {589,7}, there only; {596,11}, there only; {601,1}, there only; {635,1}, there only; {683,11}, there only; {691,1}, there too; {703,1}, there too; {718,1}, there too; {722,1}, there too; {744,1}, there too; {751,1}, there too; {765,4}, there too; {804,31}, there only; {845,1}, there too; {890,1}, there too; {892,9}*, does not mean real Mir; {919,1}, there too; {928,1}, there too; {949,1}, there only; {961,1}, there too; {968,1}, there too; {1021}, there too; {1070,9}, there only; {1095,1}, there too; {1106,1}, there only; {1108}, miir .saa;hib as refrain; {1112,1}, there too; {1156,1}, there too; {1170,1}, there too; {1201,1}, there too; {1214,4}, there too; {1234,1}, there too; {1245,1}, there only; {1265}, there only; {1268}, there too; {1299,1}, there only; {1390}, there too; {1428,5}, there only; {1451,1}, there only; {1511,6}, there only; {1518,4}, there only; {1608,13}, there only; {1710,3}, there only; {1762,10}, there only; {1827,1}, there too; {1851,1}, there only; {1894}, there only
poetics [shi((riyaat] == {256,2}, theme is central; {263,9}* kamaal vs. ;hikmat ;
proof [;subuut , daliil , javaaz] == {12,2}; {52,1}; {54,1}; {54,6}, lacking; {69,7}; {97,1}; {108,1}; {114,1}; {178,3}; {185,4}; {233,16}; {255,1}; {263,5}; {265,1}; {267,3}; {276,6}; {328,4}; {344,5}; {377,15}; {420,1}, in verse; {420,7}; {483,1}, lacking; {602,6}**; {617,3}; {684,3}; {695,6}; {867,1}; {977,3}, in Sabk-e Hindi style; {1103,3}; {1103,7}; {1215,6}; {1221,6}*; {1325,3}; {1417,2}; {1650,5}; {1688,4}, javaaz ; {1723,1}, on ; {1741,3}; {1779,13}; {1886,4}*
quatrain [rubaa((ii] -- [ ?? ]
== SRF essay; {43,3}; {71,3}; {292,9}; {451,2}; {481,2}; {853,7}; {867,4}; {952,6}; {1002,2}; {1267}, the only classical ghazal in this meter (--SRF); {1296,2}; {1297,2}; {1590,3}; {1741,3}*
rapture [vajd] == {686,3}; {930,1}**; {1264,5}
refrain [radiif] -- [ ?? ]
== SRF essay; {96}, semi-preserved in my trans.; {102}, fully preserved in my trans.; {299,1}, long; {354,1}, long in short meter; {366,1}, long in short meter; {381,1}, long in short meter; {408,1}; {423,1}, no good; {465}, long in short meter; {485,1}, long in short meter; {501,1}, ambiguities; {552,1}, ends in cheat syllable; {667,6}*; {837,1}, ((ishq group; {880}, super-long, mai;N nashe me;N huu;N ; {921,1}; {1112,1}*; {1219,6}, laughter; {1373,4}; {1374,1}, good usages; {1557}, super-long, ;xalq-e ;xudaa mulk-e ;xudaa ; {1658,1}, paa-band ; {1910}, super-long
reply [javaab] == {75,2}; {109,8}; {309 ,1}; {321,1}; {324,1}*; {336,2}; {438,4}; {451,1}; {452,2}; {472,1}; {483,2}*; {509,9}; {558,2}; {596,2}; {610,5}; {877,1}; {885,4}; {931,11}; {1050,5}; {1161,1}*; {1243,1}; {1507,2}*; {1507,5}*; {1736,1}, a quasi-'parody'
rhyme [qaafiyah] -- [ ?? ]
== {24,2}; {45,1}**, internal; {60,1}, h alphetization problem; {69,2}; {84,1}, h alphetization problem; {236x,1}; {239}, no refrain; {263,9}*; {291,1}*, misleading opening-verse; {293,1}, misguidance in opening-verse; {302,1}, 'concealed repetition' in opening-verse; {420,4}, short vowel change; {421,1}**, SRF says spelling changes undesirable; {423,1}, no good; {480,1}, mixed, unclear structure (and no refrain); {501,1}, ambiguities; {546,1}, problem of uncanonical vowel; {558,1}, rote rote , hote hote rhyme; {634}, takiye and chakhiye ; {711,1}, h alphetization problem; {724,1}*; {758}, only aa , no refrain, minimal; {851,7}; {904,1}, longest ghazal, all different rhymes; {909}, no refrain; {938,3}, no refrain; {958,1}, internal rhymes; {1040,1}, SRF on mazah vs. mazaa ; {1098,5}; {1112,1}; {1236,1}, no refrain, rhyme ends in cheat syllable; {1427,1}, rhyme is only e , no consonant; {1437,1}, kyaa kyaa , jaa jaa , 'doubled rhyme'; {1506,7}, Qa'im's complex rhymes; {1507,1}, hare hare , bhare bhare rhyme; {1578,2}; {1646,1}; {1791,1}*, unyegaa ; {1882,1}**, 'concealed repetition' in opening-verse, SRF on capricious critics
'Sabk-i Hindi' [sabk-e hindii] == SRF essay; {7,1}; {472,6}; {481,2}; {528,1}; {938,3}; {977,3}*, claim and proof; {1002,2}; {1047,10}*
satire [hajv] == {60,6}; {263,3}; {483,2}; {1289,5}
shahr-ashob [shahr-aashob] == {1450,5}*; {1706,5}
simile [tashbiih] -- [ ?? ] == {15,3}; {46,4}; {52,2}; {70,4}; {201,2}; {267,3}, inferior to metaphor; {383,7}, markab ; {423,12}, founded on hyperbole; {546,4}; {777,9}; {869,5}**; {1039,1}*, vehicle should be greator than tenor; {1882,2}, stronger than metaphor
'SSA' [shi((r-e shor-angez] == This is my abbreviation for the title of SRF's intikhab [inti;xaab] and commentary [shar;h]. See also *intikhab. SRF on his working methods: {1502,1}; {1778,6}
suspense [tajassus] == {122,9}
tajnis [tajniis] == {20,03}*; {39,1}; {380,6}; {921,7}; {932,3}; {950,1}; {1056,3}; {1328,3}; {1160,5}; {1419,3}; {1446,5}; {1496,4}; {1502,1}*; {1706,5}; {1746,1}; {1836,8}
tazkirah [ta;zkirah] == {23,1}; {302,2}
tazmin [tazmiin] == {428}, by Sauda
theme [ma.zmuun] -- [ ?? ] == SRF essay; {11,6}, mirror's fickleness; {11,7}, head under wing; {11,10}, glass-making; {12,2}, poor man's lamp; {19,1}, hand under stone; {23,7}, 'handful of dust'; {46,4}; {60,6}, the do-aabah ; {60,8}, ruined city; {64,12}; {66,7}; {71,3}, seeds on stony ground; {78,7}, lover's respectful dust; {96,6}; {97,2}, weeping a flood; {100,6}, the sea; {100,7}, a 'cup of blood' from the sky; {101,4}, lover as mirror; {104,2}, life as dream; {106,8}; {107,3}, pay heed to the world; {121,7}*, sweet-singing birds captured, many examples; {124,2}, madness has now declined; {203,5}; {213,2}; {226,6}*, lover's snobbery; {254,8}, young bird loses nest; {256,2}*, all-important in poetics; {265,4}*; {266,5}; {267,3}*, trampled grass; {276,2}, no theme; {277,2}, lover's pallor; {292,7}, need for a heart of stone; {299,13}, begging-bowl; {307,1}*, solipsistic 'humanism'; {313,8}, going there; {322,7}, swollen eyes; {328,4}, footprint; {328,6}, weakness; {342,7}, vanishing from beloved's street; {344,5}, sectarian polemic; {350,8}, sacrifice of head; {352,7}, port wine; {352,9}, imaginary beloved; {354,1}, flowers to thorns; {354,3}, lovers' tombs; {375,1}, beloveds are for sale; {386,3}, wound-eyes; {388,7}**, 'founded on metaphor'; {389,7}, staring dead eye; {398,7}, city-wandering; {420,7}, self-scarring, wounds as garden; {429,2}, silent picture on wall; {429,7}, autumn garden debris; {435,2}, unfaithful lifetime; {438,4}*, fire in the heart; {451,1}, lover's chains; {452,2}**, solitude and bell sound; {456,8}, lamp; {471,3}, lover as dog; {472,6}, voice-flame; {482,2}, 'God, God'; {482,3}, no one can find You; {483,2}, life-giving lover; {484,9}, fear of living twice; {490,2}, lover needs money; {502,3}, grandeur of humans; {502,4}, beloved has gun; {509,9}**, poetry as fruitless craft; {528,1}, the scent of blood; {546,3}, nakedness; {552,9}, word of ship-sinking reaches home; {553,4}, garden-longing feathers; {568,4}, cut throat speaks; {584,3}, body as cast in mold; {584,7}, Daughter of the Vine; {584,8}, lover longs to be slain; {601,8}, heart as desert; {605,1}, lover, as faqir, blesses; {610,5}, poetry; {669,2}, she eats the pigeon; {693,1}, ignoring the roses; {695,6}, inner journey; {722,10}, swallowing tears; {724,2}, waiting for oneself; {757,2}, 'tree of mourning'; {775,5}, her ominous 'warmth'; {853,4}, night pregnant with day; {859,5}, tight clothing; {863,1}, a 'shoulderblade-seer'; {867,4}; {875,9}, heart as sunken boat; {885,4}, radical ripping; {885,5}; {892,5}*, crowds would come to gawk; {897,7}, the already-wounded heart; {904,5}*, 'fresh, superb'; {907,4}, a kindly beloved; {932,3}, useless wings; {944,1}, uncertainty of existence; {950,9}, unfathomable ocean; {977,5}, lover's snobbery; {1001,9}, transience of world; {1031,8}, lover as mendicant; {1037,1}, mending the rip in the heart; {1037,5}, paan reddens her throat; {1039,1}**, based on metaphor; {1039,5}**, body or spirit?; {1040,2}, beloved's presence/absence; {1040,4}, narrowness of world; {1041,1}**, her body gleams through clothes; {1050,5}, passion scours the heart; {1056,7}; {1078,5}, self-burning passion; {1123,2}, tongue in mouth; {1123,5}, her body as spirit; {1160,4}*, lover's burning bones; {1161,2}, beloved as vulgar, vile; {1164,6}, tears as children; {1174,7}, flood-path house; {1201,2}, God as painter; {1219,3}, all are drawn to her street; {1230,2}, passion-vine; {1252,4}, heart as cosmically vast; {1254,7}, kiss-seeking; {1337,2}, Lucknow(?); {1341,7}; {1370,2}, repetition of themes; {1426,1}***, 'grief of themes'; and colors of complexions; {1446,5}, sound of unseen bell; {1450,6}*, her cypress-stature; {1460,3}, beloved's sweat; {1477,3}, lover must have gold; {1494,3}, passion as sickness; {1496,4}, beloved is threatened about unworthy behavior; {1501,6}, lover's pallor; {1504,2}, color in the air; {1506,1}, murderous rogue beloved; {1506,7}, dancing; {1507,5}, rose-fire; {1526,4}, nearness/distance; {1533,5}, earlier/later times; {1574,6}, need for roses; {1590,3}; {1626,3}, beloved's nakedness; {1706,5}, political themes; poet must speak freely; {1714,6}, lover's sins; {1722,1}, roseate power of wine; {1723,6}, rakes vs. Mirzas; {1741,3}, Water of Life rejected; {1746,8}, unfindable Beloved; {1750,4}, taste/relish vs. distaste; {1779,3}, burning bones; {1781,4}, dog hunting deer; {1800,4}, tigers in the 'jungle of passion'; {1815,2}*, beloved's 'golden' or tawny skin; {1818,9}, Mir the faqir can bless; {1820,8}, houselessness; {1851,9}, looted traveler; {1853x,2}, meager prey; {1882,3}, foreign speech; {1896,9}, lover's poverty, shame/honor; {1916,5}, world as children's play-houses
theme-creation
[ma.zmuun-aafiriinii] -- [ ?? ] == SRF essay; {64,7}*; {84,4}**; {88,3}*; {291,5}; {296,12}; {322,7}; {352,8}*; {490,5}; {509,3}*, radically new; {551,1}; {558,5}; {596,2}**; {610,7}; {667,11}**; {874,7}; {930,1}*, fountainhead of ghazal; {1039,1}**, theory; {1078,5}; {1236,1}; {1237,2}*; {1237,5}; {1243,5}; {1370,3}*, on originality; {1450,6}**, def.; {1504,2}; {1582,5}; {1589,9}, on ubiquitous borrowing; {1778,6}, hostile to autobiography
'thought-binding' [;xayaal-bandii] == {95,11}*; {115,1}; {291,5}; {302,2}; {602,6}**, critique; {617,3}; {724,2}; {867,1}*; {977,7}; {1449,7}*; {1526,4}; {1768,3}; {1779,3}
'thought-creation' [;xayaal-aafiriinii] == {1373,5}, 'conceit'
'thought-elaboration' [;xayaal-aaraa))ii] == {1579,3}*
tilism [:tilism] -- [ ?? ] == See also *dastan. == {122,2}; {217,3}; {952,6}; {1314,9}*; {1700,5}
tone [lahjah] -- {543,1}, general argument; {545,3}; {545,10}; {724,2}**, my discussion; {1496,4}, threatening
translation [tarjumah] -- {324,1}**; {544,6}; {1040,4}**; {1161,1}**
tumult [shorish] -- SRF
essay == {42,4}; {84,4}**
tumult-arousing
[shor-angez] -- SRF
essay, def. and title source for SSA == {7,14}; {19,4}; {25,9}**; {49,3}; {71,3}; {84,4}**; {203,16}; {213,2}; {217,5}; {239,7}; {299,4}; {421,5}; {438,4}; {490,1}; {490,3}; {517,9}*; {594,5}; {920,2}; {932,3}; {932,4}; {949,1}, whole ghazal; {992,2}; {1002,2}; {1158,7}; {1201,2}; {1223,1}; {1226,5}; {1252,4}; {1437,4}; {1480,3}*; {1502,1}**, whole ghazal; {1506,5}; {1507,5}; {1620,7}*; {1626,5}; {1646,4}*; {1658,1}*; {1723,7}; {1740,1}; {1757,2}; {1882,5}
unattainably simple [sahl-e
mumtana((] -- {6,2}; {49,3}; {866,8}; {1545,2}**
understatement [ 'understatement', taqliil-e bayaan , subuk-bayaanii , kam-bayaanii]== {266,2}***; {276,6}; {297,4}; {346,12}; {693,9}***; {721,1}; {851,5}; {930,4}; {1185,8}; {1420,7}; {1791,1}; {1683,1}; {1800,4}
vasokht [vaa-so;xt] == {60,6}; {100,5}
verse (of a ghazal) [shi((r , bait] == {485,5}, bait ; {1052,7}; {1526,2}, bait
verse-set [qi:t((ah] -- [ ?? ]
This list aspires to completeness. == {1,9}; {2,5}, in verse; {12,5}; {25,6}; {30,6}; {30,8}; {30,10}; {49,7}; {60,6}; {62,5}; {62,7}; {62,9}; {64,6}; {64,7}*; {64,11}**; {95,6}, verse with no finite verb; {96,7}*; {98,8}; {99,7}; {107,9}; {116,4}; {119,9}; {119,11}; {121,2}; {128,7}; {132,3}; {132,8}; {133,9}; {176,3}; {183,8}; {183,10}; {183,12}**; {195,6}; {195,8}; {203,16}; {210,7}; {211}, has 5 of them; {218,3}; {233,11}; {233,13}; [{239,1}]; {239,5}*; {239,7}; {259,9}; [{263,7}]; {277,8}; {288,7}; {288,9}; {299,8}; {300,5}; {302,5}; {302,7}; [{307,1-5}]**, musalsal ; {309,5}; {309,15}*, editors choosing; {323,5}; {325,5}; {327,8}; {336,7}; {341,5}; {344,5}, mediocre, religious chauvinism; {353,6}; {353,11}; {362,6}; {385,11}; {390,5}; {390,7}; {392,10}; {405,5}; {422,6}; {424,10}; {424,12}; {428,6}; {428,12}; {455,8}; {457,4}; {466,5}; {466,10}; {481,2}*, a 'distributed verse-set'; {507,8}; {509,10}; {515,8}; {523,6}; {561,3}; {527,6}; {548,8}; {549,14}; {582,7}; {582,9}; {583,8}; {583,12}; {583,19}; {587,9}; {589,7}; {591,4}; {594,7}; {596,11}; {601,7}, mistaken label; {602,10-11}, mistaken label?; {608,7}; {665,7}; {673,10}; {674,7}; {682,5}; {682,7}; {683,6}; {683,11}; {716,9}; {739,7}; {790,7}; {790,9}; {797,8}; {797,10}; {910,1-5}, musalsal ; {917,9}; {920,5}; {930,1}**, but the included opening-verse makes it a chaar-mi.sr((e instead; {939,5}; {948,7}; {995,8}; {1007,8}; {1026,10}; {1027,12}; {1027,14}; {1031,8}*, very tight; {1050,18}; {1050,19}, SRF includes only 2nd v.; {1107,5}; {1115,5}; {1451,7}; {1468,5}; [{1504,2}]; {1511,6-7}, on poetry; {1518,4}; {1608,9}; {1608,11}; {1609,8}; {1702,2}; {1706,5}; {1762,10}; {1777,8}; {1779,8}; [{1781,1}], ;husn-e ma:tla(( makes quasi-verse-set; {1791,1}; {1882,1}; {1894,8}; {1894,12}; {1894,14}
warrant [sanad] == {290,10}; {471,1}; {482,3}; {585,7}**, 'I am one'; {757,2}; {909,4}; {1052,7}; {1163,1}; {1460,6}; {1504,5
wordplay [ri((aayat] or [ri((aayat-e laf:zii] -- [ ?? ] == SRF essay, with
def; (see also 'meaning-play'); {7,14}; {12,4}; {17,8}; {21,1}; {20,1}, with unstated words (list); {25,9}; {25,15}; {26,6}; {29,3}; {48,7}; {49,3}; {95,11}*; {104,2}; {106,11}; {107,6}; {115,7}; {115,8}; {144,1}; {144,5}; {183,5}; {220,1}*; {296,5}*; {336,2}**, iham; {350,8}*; {386,2}*; {388,7}**; {423,13}, notable example; {558,2}** definition; {584,1}**; {611,3}**, supreme example, vs. affinity; {741,2}; {745,1}*; {745,6}; {757,2}; {757,3}; {770,3}; {774,2}; {869,5}**, definition; {910,4}**; {923,2}*; {923,5}*; {1056,7}; {1094,3}*; {1109,1}, ri((aayat-e na:zar ; {1176,5}, 2 domains; {1219,1}; {1237,2}**; {1237,5}***; {1582,5}; {1598,1}*; {1683,1} ==
instances described as 'commonality' [muraa((at ul-na:ziir]: {45,1}; {45,2}; {106,1}; {122,9}; {276,2}; {321,4}; {378,6}; {420,4}; {429,4}; {429,8}; {441,7}; {481,1}*; {482,1}; {509,7}; {517,9}; {558,2}**, definition; {722,10}; {950,1}; {958,2}; {1031,1}; {1037,3}; {1041,8}; {1088,9}; {1102,5}; {1176,6}; {1213,1}; {1215,6}; {1223,5}; {1419,3}; {1494,1}; {1501,5}; {1502,3}; {1589,6}; {1714,4}; {1736,1}; {1740,1}
zila [.zil((a] -- [ ?? ] == {2,5}*; {17,3}; {19,5}; {20,5}; {21,9}; {37,3}; {48,7}; {52,5}; {66,7}; {69,4}; {74,9}; {97,2}; {99,2}; {104,2}; {108,10}; {121,1}; {144,15}; {233,1}; {236x,1}; {255,1}; {256,4}; {296,5}*; {302,1}; {307,3}; {336,2}*, a part of iham; {453,1}; {584,1}*; {667,1}; {741,2}; {1056,2}; {1076,7}; {1091,4}; {1160,1}; {1177,7}; {1200,2}; {1202,5}; {1215,6}; {1262,6}; {1312,7}; {1506,5}; {1554,7}; {1589,2}; {1595,5}; {1650,5}; {1683,5}; {1778,6}; {1852,1}; {1853,8}
