FWP:
SETS == IZAFAT; WORDPLAY
What complexities of wordplay swarm inside this simple-looking verse! At the heart of them, wrapping them all up, is rū-kashī , literally 'face-lifting' or 'face-pulling-up'.
When paired with 'in the heart' [dil meñ], the concealing nuances of 'face-presenting' at once become impossibly strange. What does it mean to 'present a face' within the heart , when the heart is the deepest depth of the inner self? To 'present a face' to one's inner self, so as to fool oneself into a false confidence? To present it to the beloved, who is (or at least, whose rank of eyelashes is) there in the heart too? To imagine, or fantasize about, or long for, such 'face-presenting'? For rū-kashī , Platts's definition itself, 'The being externally one thing and internally another', is fascinating in its own right; perhaps we should think of it as akin to 'putting a good face on it'.
And then, this ambiguous 'face-presenting' is directed toward the beloved's 'rank of eyelashes'. While ṣaf can mean 'row' in general, it has a particularly military sound, just as 'rank' does in English. It's easy to imagine those exquisitely sharp eyelashes as a row of arrows controlled by an expert archer, or spears in the hands of a line of soldiers. 'Face-presenting' toward them could be purely defensive (making a pretense of invulnerability), or it could be aggressive as well (boldly making a feint of counterattack); it could even be masochistic (seeking to present an inviting target to as to induce them to attack, and thus to procure the pleasure of pain). All these swarms of possible meanings develop in the first line alone.
When we look at the second line, we find a seeming simplicity that in fact is complicated by a crucial iẓāfat . 'Strength for the irritation of a thorn' can mean either 'strength to endure the irritation of a thorn' (as the commentators read it), or 'strength to put a stop to (see the definition above) the irritation of a thorn'. This second possibility works well with the vision of two armies arrayed in the heart, the serried rank of sharp eyelashes on one side, the desperately gallant 'face-presenting' lover on the other, as he attempts hopelessly to 'face down' the foe.
The verse also offers some clever sound effects. yār in the first line is echoed by ḳhār in the second. The phrase ḳhalish-e ḳhār , with its two raspy initial ḳh sounds, also nicely suggests the abrasion or irritation it describes.
The military metaphor is continued in the next verse, {112,9}.
Nazm:
My state is that I don't even have strength for the irritation of a thorn, and still there's enthusiasm in the heart for confronting the rank of eyelashes. (121)
== Nazm page 121