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tamaamii : 'Perfection; completion; conclusion, end, termination; totality, the whole'. (Platts p.336)
((itaab : 'Reproving; reproof, reproach, censure, reprimand, rebuke; anger, displeasure'. (Platts p.758)
FWP:
SETS
MOTIFS
NAMES
TERMS == IZAFAT; REFRAINNote: If you look at this ghazal in the kulliyat and don't find a verse you think should be in it, here's why: {256,1}.
This ghazal has a remarkably long rhyme (two syllables) and refrain (three syllables), within a very short meter (ten syllables). Thus in the second line of each verse, the poet has only five syllables to work with. And since this is an opening-verse, both lines are so constrained. So if Mir can't pull off any special effects within such tight limits, it's not surprising.
Note for grammar fans: In the second line, the noun sequence tamaamii ((itaab seems to be a case of an 'omitted izafat'.