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FWP:
SETS
MOTIFS
NAMES
TERMS == TUMULT-AROUSINGSRF speaks of this whole ghazal as 'tumult-arousing', and sets it in a markedly Sufistic frame. The opening-verse, {1158,1}, is a particularly good case in point
kyā ḥaqīqat kahūñ kih kyā hai ʿishq
ḥaq-shināsoñ ke hāñ ḳhudā hai ʿishq[how can I tell the truth/reality of what is passion?!
in the view of truth/right knowers, {the Lord is passion / passion is the Lord}]For more on this idiomatic usage of ʿishq hai , see {307,4}.